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  • Damien Hirst portrait with work in progress. Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-30.jpg
  • Damien Hirst portrait with work in progress. Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-29.jpg
  • Damien Hirst portrait with work in progress. Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-28.jpg
  • Damien Hirst portrait with his artwork."Greetings from the Gutter/ Avoiding the Inevitable".1994.Glass, steel, gas cylinders, rubber, acrylic, MDF, gas mask, saline bags and needle.Dimensions variable.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-23.jpg
  • Damien Hirst Portrait with his artwork."St Elmo's Fire".2008.Household gloss on plastic skeleton.1700 x 425 x 435 mm.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-17.jpg
  • Damien Hirst Portrait with his artwork."St Elmo's Fire".2008.Household gloss on plastic skeleton.1700 x 425 x 435 mm.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-15.jpg
  • Damien Hirst Portrait with his artwork."St Elmo's Fire".2008.Household gloss on plastic skeleton.1700 x 425 x 435 mm.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-13.jpg
  • Damien Hirst Portrait with his artwork."St Elmo's Fire".2008.Household gloss on plastic skeleton.1700 x 425 x 435 mm.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-11.jpg
  • Damien Hirst Portrait with his artwork."St Elmo's Fire".2008.Household gloss on plastic skeleton.1700 x 425 x 435 mm.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-10.jpg
  • Damien Hirst Portrait sticks tongue outwith his artwork."St Elmo's Fire".2008.Household gloss on plastic skeleton.1700 x 425 x 435 mm.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-04.jpg
  • Close-up Damien Hirst Portrait with fingers in eye sockets of skull of his artwork."St Elmo's Fire".2008.Household gloss on plastic skeleton.1700 x 425 x 435 mm.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-03.jpg
  • Damien Hirst portrait with work in progress. Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-31.jpg
  • Damien Hirst portrait with work in progress. Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-27.jpg
  • Damien Hirst portrait with inflated glove. Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-26.jpg
  • Damien Hirst portrait with his artwork."Greetings from the Gutter/ Avoiding the Inevitable".1994.Glass, steel, gas cylinders, rubber, acrylic, MDF, gas mask, saline bags and needle.Dimensions variable.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-25.jpg
  • Damien Hirst portrait with his artwork."Greetings from the Gutter/ Avoiding the Inevitable".1994.Glass, steel, gas cylinders, rubber, acrylic, MDF, gas mask, saline bags and needle.Dimensions variable.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-22.jpg
  • Damien Hirst portrait with his artwork."Greetings from the Gutter/ Avoiding the Inevitable".1994.Glass, steel, gas cylinders, rubber, acrylic, MDF, gas mask, saline bags and needle.Dimensions variable.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-21.jpg
  • Damien Hirst portrait with his artwork."Greetings from the Gutter/ Avoiding the Inevitable".1994.Glass, steel, gas cylinders, rubber, acrylic, MDF, gas mask, saline bags and needle.Dimensions variable.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-20.jpg
  • Damien Hirst portrait with his artwork."Greetings from the Gutter/ Avoiding the Inevitable".1994.Glass, steel, gas cylinders, rubber, acrylic, MDF, gas mask, saline bags and needle.Dimensions variable.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-19.jpg
  • Damien Hirst Portrait with his artwork."St Elmo's Fire".2008.Household gloss on plastic skeleton.1700 x 425 x 435 mm.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-16.jpg
  • Damien Hirst Portrait with his artwork."St Elmo's Fire".2008.Household gloss on plastic skeleton.1700 x 425 x 435 mm.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-14.jpg
  • Damien Hirst Portrait with his artwork."St Elmo's Fire".2008.Household gloss on plastic skeleton.1700 x 425 x 435 mm.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-12.jpg
  • Damien Hirst Portrait with his artwork."St Elmo's Fire".2008.Household gloss on plastic skeleton.1700 x 425 x 435 mm.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-09.jpg
  • Damien Hirst Portrait with his artwork."St Elmo's Fire".2008.Household gloss on plastic skeleton.1700 x 425 x 435 mm.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-08.jpg
  • Damien Hirst Portrait with his artwork."St Elmo's Fire".2008.Household gloss on plastic skeleton.1700 x 425 x 435 mm.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-07.jpg
  • Damien Hirst Portrait with his artwork."St Elmo's Fire".2008.Household gloss on plastic skeleton.1700 x 425 x 435 mm.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-06.jpg
  • Close-up Damien Hirst Portrait with fingers in eye sockets of skull of his artwork."St Elmo's Fire".2008.Household gloss on plastic skeleton.1700 x 425 x 435 mm.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-05.jpg
  • Close-up Damien Hirst Portrait with hands around skull of his artwork."St Elmo's Fire".2008.Household gloss on plastic skeleton.1700 x 425 x 435 mm.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-02.jpg
  • Close-up Damien Hirst Portrait with his artwork."St Elmo's Fire".2008.Household gloss on plastic skeleton.1700 x 425 x 435 mm.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-01.jpg
  • Damien Hirst portrait with his artwork."Greetings from the Gutter/ Avoiding the Inevitable".1994.Glass, steel, gas cylinders, rubber, acrylic, MDF, gas mask, saline bags and needle.Dimensions variable.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-24.jpg
  • Damien Hirst Portrait with his artwork."St Elmo's Fire".2008.Household gloss on plastic skeleton.1700 x 425 x 435 mm.© Damien Hirst. All rights reserved, DACS 2010.Photographed in his Chalford Studio, near Stroud, Gloucestershire
    Damien-Hirst-Portrait-In-Studio-18.jpg
  • The Waverley Cemetery opened in 1877 and is a cemetery located on top of the cliffs at Bronte in the eastern suburbs of Sydney. It is noted for its largely intact Victorian and Edwardian monuments. The cemetery contains the graves of many significant Australians including and the poet Henry Lawson and Australia's first Prime Minister, Sir Edmund Barton, who is interred at South Head...Architecturally, Waverley Cemetery is significant in that it showcases examples of Stonemasonry and funerary art dating back from the 19th century,with features (such as the gates, buildings and fencing) that due to their intact nature are considered of outstanding aesthetic value...Poetically, the juxtaposition of the tombs and memorials overlooking the pacific ocean of the sea makes the cemetery a unique place.
    Waverley-Cemetery-Pacific-Ocean-Sydn...jpg
  • Memorial to Sir William Duff, governer of New South Wales. The Waverley Cemetery opened in 1877 and is a cemetery located on top of the cliffs at Bronte in the eastern suburbs of Sydney. It is noted for its largely intact Victorian and Edwardian monuments. The cemetery contains the graves of many significant Australians including and the poet Henry Lawson and Australia's first Prime Minister, Sir Edmund Barton, who is interred at South Head...Architecturally, Waverley Cemetery is significant in that it showcases examples of Stonemasonry and funerary art dating back from the 19th century,with features (such as the gates, buildings and fencing) that due to their intact nature are considered of outstanding aesthetic value...Poetically, the juxtaposition of the tombs and memorials overlooking the pacific ocean of the sea makes the cemetery a unique place.
    Waverley-Cemetery-Pacific-Ocean-Sydn...jpg
  • The Waverley Cemetery opened in 1877 and is a cemetery located on top of the cliffs at Bronte in the eastern suburbs of Sydney. It is noted for its largely intact Victorian and Edwardian monuments. The cemetery contains the graves of many significant Australians including and the poet Henry Lawson and Australia's first Prime Minister, Sir Edmund Barton, who is interred at South Head...Architecturally, Waverley Cemetery is significant in that it showcases examples of Stonemasonry and funerary art dating back from the 19th century,with features (such as the gates, buildings and fencing) that due to their intact nature are considered of outstanding aesthetic value...Poetically, the juxtaposition of the tombs and memorials overlooking the pacific ocean of the sea makes the cemetery a unique place.
    Waverley-Cemetery-Pacific-Ocean-Sydn...jpg
  • The Waverley Cemetery opened in 1877 and is a cemetery located on top of the cliffs at Bronte in the eastern suburbs of Sydney. It is noted for its largely intact Victorian and Edwardian monuments. The cemetery contains the graves of many significant Australians including and the poet Henry Lawson and Australia's first Prime Minister, Sir Edmund Barton, who is interred at South Head...Architecturally, Waverley Cemetery is significant in that it showcases examples of Stonemasonry and funerary art dating back from the 19th century,with features (such as the gates, buildings and fencing) that due to their intact nature are considered of outstanding aesthetic value...Poetically, the juxtaposition of the tombs and memorials overlooking the pacific ocean of the sea makes the cemetery a unique place.
    Waverley-Cemetery-Pacific-Ocean-Sydn...jpg
  • Cross memorial in front of graves. The Waverley Cemetery opened in 1877 and is a cemetery located on top of the cliffs at Bronte in the eastern suburbs of Sydney. It is noted for its largely intact Victorian and Edwardian monuments. The cemetery contains the graves of many significant Australians including and the poet Henry Lawson and Australia's first Prime Minister, Sir Edmund Barton, who is interred at South Head...Architecturally, Waverley Cemetery is significant in that it showcases examples of Stonemasonry and funerary art dating back from the 19th century,with features (such as the gates, buildings and fencing) that due to their intact nature are considered of outstanding aesthetic value...Poetically, the juxtaposition of the tombs and memorials overlooking the pacific ocean of the sea makes the cemetery a unique place.
    Waverley-Cemetery-Pacific-Ocean-Sydn...jpg
  • The Waverley Cemetery opened in 1877 and is a cemetery located on top of the cliffs at Bronte in the eastern suburbs of Sydney. It is noted for its largely intact Victorian and Edwardian monuments. The cemetery contains the graves of many significant Australians including and the poet Henry Lawson and Australia's first Prime Minister, Sir Edmund Barton, who is interred at South Head...Architecturally, Waverley Cemetery is significant in that it showcases examples of Stonemasonry and funerary art dating back from the 19th century,with features (such as the gates, buildings and fencing) that due to their intact nature are considered of outstanding aesthetic value...Poetically, the juxtaposition of the tombs and memorials overlooking the pacific ocean of the sea makes the cemetery a unique place.
    Waverley-Cemetery-Pacific-Ocean-Sydn...jpg
  • The Waverley Cemetery opened in 1877 and is a cemetery located on top of the cliffs at Bronte in the eastern suburbs of Sydney. It is noted for its largely intact Victorian and Edwardian monuments. The cemetery contains the graves of many significant Australians including and the poet Henry Lawson and Australia's first Prime Minister, Sir Edmund Barton, who is interred at South Head...Architecturally, Waverley Cemetery is significant in that it showcases examples of Stonemasonry and funerary art dating back from the 19th century,with features (such as the gates, buildings and fencing) that due to their intact nature are considered of outstanding aesthetic value...Poetically, the juxtaposition of the tombs and memorials overlooking the pacific ocean of the sea makes the cemetery a unique place.
    Waverley-Cemetery-Pacific-Ocean-Sydn...jpg
  • The Waverley Cemetery opened in 1877 and is a cemetery located on top of the cliffs at Bronte in the eastern suburbs of Sydney. It is noted for its largely intact Victorian and Edwardian monuments. The cemetery contains the graves of many significant Australians including and the poet Henry Lawson and Australia's first Prime Minister, Sir Edmund Barton, who is interred at South Head...Architecturally, Waverley Cemetery is significant in that it showcases examples of Stonemasonry and funerary art dating back from the 19th century,with features (such as the gates, buildings and fencing) that due to their intact nature are considered of outstanding aesthetic value...Poetically, the juxtaposition of the tombs and memorials overlooking the pacific ocean of the sea makes the cemetery a unique place.
    Waverley-Cemetery-Pacific-Ocean-Sydn...jpg
  • The Waverley Cemetery opened in 1877 and is a cemetery located on top of the cliffs at Bronte in the eastern suburbs of Sydney. It is noted for its largely intact Victorian and Edwardian monuments. The cemetery contains the graves of many significant Australians including and the poet Henry Lawson and Australia's first Prime Minister, Sir Edmund Barton, who is interred at South Head...Architecturally, Waverley Cemetery is significant in that it showcases examples of Stonemasonry and funerary art dating back from the 19th century,with features (such as the gates, buildings and fencing) that due to their intact nature are considered of outstanding aesthetic value...Poetically, the juxtaposition of the tombs and memorials overlooking the pacific ocean of the sea makes the cemetery a unique place.
    Waverley-Cemetery-Pacific-Ocean-Sydn...jpg
  • Broken column memorial of Edward & Florence Grainuger from injuries received in the late Redfern Railway Accident 1894. The Waverley Cemetery opened in 1877 and is a cemetery located on top of the cliffs at Bronte in the eastern suburbs of Sydney. It is noted for its largely intact Victorian and Edwardian monuments. The cemetery contains the graves of many significant Australians including and the poet Henry Lawson and Australia's first Prime Minister, Sir Edmund Barton, who is interred at South Head...Architecturally, Waverley Cemetery is significant in that it showcases examples of Stonemasonry and funerary art dating back from the 19th century,with features (such as the gates, buildings and fencing) that due to their intact nature are considered of outstanding aesthetic value...Poetically, the juxtaposition of the tombs and memorials overlooking the pacific ocean of the sea makes the cemetery a unique place.
    Waverley-Cemetery-Pacific-Ocean-Sydn...jpg
  • Broken column memorial of John & Caroline Starkey. The Waverley Cemetery opened in 1877 and is a cemetery located on top of the cliffs at Bronte in the eastern suburbs of Sydney. It is noted for its largely intact Victorian and Edwardian monuments. The cemetery contains the graves of many significant Australians including and the poet Henry Lawson and Australia's first Prime Minister, Sir Edmund Barton, who is interred at South Head...Architecturally, Waverley Cemetery is significant in that it showcases examples of Stonemasonry and funerary art dating back from the 19th century,with features (such as the gates, buildings and fencing) that due to their intact nature are considered of outstanding aesthetic value...Poetically, the juxtaposition of the tombs and memorials overlooking the pacific ocean of the sea makes the cemetery a unique place.
    Waverley-Cemetery-Pacific-Ocean-Sydn...jpg
  • The Waverley Cemetery opened in 1877 and is a cemetery located on top of the cliffs at Bronte in the eastern suburbs of Sydney. It is noted for its largely intact Victorian and Edwardian monuments. The cemetery contains the graves of many significant Australians including and the poet Henry Lawson and Australia's first Prime Minister, Sir Edmund Barton, who is interred at South Head...Architecturally, Waverley Cemetery is significant in that it showcases examples of Stonemasonry and funerary art dating back from the 19th century,with features (such as the gates, buildings and fencing) that due to their intact nature are considered of outstanding aesthetic value...Poetically, the juxtaposition of the tombs and memorials overlooking the pacific ocean of the sea makes the cemetery a unique place.
    Waverley-Cemetery-Pacific-Ocean-Sydn...jpg
  • The Waverley Cemetery opened in 1877 and is a cemetery located on top of the cliffs at Bronte in the eastern suburbs of Sydney. It is noted for its largely intact Victorian and Edwardian monuments. The cemetery contains the graves of many significant Australians including and the poet Henry Lawson and Australia's first Prime Minister, Sir Edmund Barton, who is interred at South Head...Architecturally, Waverley Cemetery is significant in that it showcases examples of Stonemasonry and funerary art dating back from the 19th century,with features (such as the gates, buildings and fencing) that due to their intact nature are considered of outstanding aesthetic value...Poetically, the juxtaposition of the tombs and memorials overlooking the pacific ocean of the sea makes the cemetery a unique place.
    Waverley-Cemetery-Pacific-Ocean-Sydn...jpg
  • Anish Kapoor, C-Curve 2007,Stainless steel, 220 x 770 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-C-Curve-08.jpg
  • Anish Kapoor, C-Curve 2007,Stainless steel, 220 x 770 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-C-Curve-07.jpg
  • Anish Kapoor, C-Curve 2007,Stainless steel, 220 x 770 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-C-Curve-06.jpg
  • Anish Kapoor, C-Curve 2007,Stainless steel, 220 x 770 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-C-Curve-05.jpg
  • Anish Kapoor, C-Curve 2007,Stainless steel, 220 x 770 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-C-Curve-03.jpg
  • Anish Kapoor, C-Curve 2007,Stainless steel, 220 x 770 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (reflection of photographer digitally removed).
    Anish-Kapoor-C-Curve-02.jpg
  • Anish Kapoor, Sky Mirror (Red) 2009, Stainless steel, 274 x 290 x 146 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-Sky-Mirror-Red-04.jpg
  • Anish Kapoor, Sky Mirror (Red) 2009, Stainless steel, 274 x 290 x 146 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-Sky-Mirror-Red-03.jpg
  • Anish Kapoor, Sky Mirror (Red) 2009, Stainless steel, 274 x 290 x 146 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-Sky-Mirror-Red-02.jpg
  • Anish Kapoor, Sky Mirror 2006, Stainless steel,1066.8 x 1066.8 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-Sky-Mirror-07.jpg
  • Anish Kapoor, Sky Mirror 2006, Stainless steel,1066.8 x 1066.8 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-Sky-Mirror-06.jpg
  • Anish Kapoor, Sky Mirror 2006, Stainless steel,1066.8 x 1066.8 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-Sky-Mirror-05.jpg
  • Anish Kapoor, Sky Mirror 2006, Stainless steel,1066.8 x 1066.8 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-Sky-Mirror-04.jpg
  • Anish Kapoor, Sky Mirror 2006, Stainless steel,1066.8 x 1066.8 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-Sky-Mirror-03.jpg
  • Anish Kapoor, Sky Mirror 2006, Stainless steel,1066.8 x 1066.8 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-Sky-Mirror-02.jpg
  • Anish Kapoor, Sky Mirror 2006, Stainless steel,1066.8 x 1066.8 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-Sky-Mirror-01.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Detail of reflections in base of spire next to grass. Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-09.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Detail of tip of spire. Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-08.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Detail of tip of spire. Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-07.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-05.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-04.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-01.jpg
  • Anish Kapoor, C-Curve 2007,Stainless steel, 220 x 770 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-C-Curve-04.jpg
  • Anish Kapoor, C-Curve 2007,Stainless steel, 220 x 770 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (reflection of photographer digitally removed).
    Anish-Kapoor-C-Curve-01.jpg
  • Anish Kapoor, Sky Mirror (Red) 2009, Stainless steel, 274 x 290 x 146 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-Sky-Mirror-Red-01.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Detail of abstract reflections of trees in side of spire. Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-11.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Detail of reflections in base of spire next to grass. Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-10.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Detail of tree reflection in artwork. Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-06.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-03.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-02.jpg
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