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  • Anish Kapoor, C-Curve 2007,Stainless steel, 220 x 770 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (reflection of photographer digitally removed).
    Anish-Kapoor-C-Curve-02.jpg
  • Anish Kapoor, C-Curve 2007,Stainless steel, 220 x 770 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (reflection of photographer digitally removed).
    Anish-Kapoor-C-Curve-01.jpg
  • Anish Kapoor, C-Curve 2007,Stainless steel, 220 x 770 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-C-Curve-03.jpg
  • Anish Kapoor, C-Curve 2007,Stainless steel, 220 x 770 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-C-Curve-07.jpg
  • Anish Kapoor, C-Curve 2007,Stainless steel, 220 x 770 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-C-Curve-06.jpg
  • Anish Kapoor, C-Curve 2007,Stainless steel, 220 x 770 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-C-Curve-05.jpg
  • Anish Kapoor, C-Curve 2007,Stainless steel, 220 x 770 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-C-Curve-08.jpg
  • Anish Kapoor, C-Curve 2007,Stainless steel, 220 x 770 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-C-Curve-04.jpg
  • The Broomway IV, reflections in the Thames estuary, Essex, 2020.
    Broomway04.jpg
  • Clyde Reflections I, Old Kilpatrick from Erskine Park, Renfrewshire, Scotland.
    Renfrewshire-Print-Collection-09.jpg
  • Clyde Reflections II, Old Kilpatrick from Erskine Park, Renfrewshire, Scotland.
    203-Woodhall-Inchinnan-16.jpg
  • Clyde Reflections I, Old Kilpatrick from Erskine Park, Renfrewshire, Scotland.
    203-Woodhall-Inchinnan-14.jpg
  • Puddle reflection I, Salt Coates, Cumbria.
    171-Silloth-Bowness-on-Solway-04.jpg
  • Apartments reflected in the facade of Bucharest Financial Plaza, on Victory Road, Bucharest, Romania
    Bucharest-Architecture-05.jpg
  • Museum of Liverpool with Three Graces reflected in the window, Liverpool
    Liverpool-02.jpg
  • Whitby Abbey Reflections
    030A5644-Edit.jpg
  • Puddle reflection II, Salt Coates, Cumbria.
    171-Silloth-Bowness-on-Solway-06.jpg
  • Car headlamps reflecting on beach huts, Seaford, Sussex.
    017-Eastbourne-Newhaven-13.jpg
  • Detail of the glass Facade of The Shard reflecting the clouds. May 2015, London. Architect: Renzo Piano. Engineer: WSP Global
    Shard-London-Piano-QJEL-11.jpg
  • The Shard reflecting the clouds  seen from Monument, May 2015, London. Architect: Renzo Piano. Engineer: WSP Global
    Shard-London-Piano-QJEL-09.jpg
  • Reflection of 30 St Mary Axe (formerly the Swiss Re Building, informally referred to as the Gherkin. Architect: Foster and Partners. Engineer: Arup. Built: 2003
    Mary-Axe-Gherkin-Foster-QJEL-02.jpg
  • Bucharest telephone cable and reflections
    Bucharest-Architecture-07.jpg
  • The National Museum of Romanian History and apartments reflected in the facade of Bucharest Financial Plaza, on Victory Road, Bucharest, Romania
    Bucharest-Architecture-06.jpg
  • Apartments reflected in the facade of Bucharest Financial Plaza, on Victory Road, Bucharest, Romania
    Bucharest-Architecture-04.jpg
  • The National Museum of Romanian History and apartments reflected in the facade of Bucharest Financial Plaza, on Victory Road, Bucharest, Romania
    Bucharest-Architecture-03.jpg
  • The Arsenal reflected in the façade of the State Kremlin Palace. Architect: Michael M. Poshokin. Moscow, Russia, 2007
    Drawing-Parallels-Quintin-Lake-Page-...jpg
  • Iron lacework, two storey Victorian Filigree terrace were built of stone and reflect the "standard" terrace type pattern commonly found on Darlinghurst and Paddington, with single span iron lace balcony, arched openings to ground floor and squared lintels to first floor...As housing developed in Australia, verandas became important as a way of shading the house. From the mid-nineteenth century in particular, as people became more affluent, they built more elaborate homes, and one of the favoured elaborations was the filigree, or screen, of cast ironor wrought iron. This developed to the point where it has become one of the major features of Australian architecture.
    Victorian-Filigree-terrace-architect...jpg
  • Iron lacework, two storey Victorian Filigree terrace were built of stone and reflect the "standard" terrace type pattern commonly found on Darlinghurst and Paddington, with single span iron lace balcony, arched openings to ground floor and squared lintels to first floor...As housing developed in Australia, verandas became important as a way of shading the house. From the mid-nineteenth century in particular, as people became more affluent, they built more elaborate homes, and one of the favoured elaborations was the filigree, or screen, of cast ironor wrought iron. This developed to the point where it has become one of the major features of Australian architecture.
    Victorian-Filigree-terrace-architect...jpg
  • Iron lacework, two storey Victorian Filigree terrace were built of stone and reflect the "standard" terrace type pattern commonly found on Darlinghurst and Paddington, with single span iron lace balcony, arched openings to ground floor and squared lintels to first floor...As housing developed in Australia, verandas became important as a way of shading the house. From the mid-nineteenth century in particular, as people became more affluent, they built more elaborate homes, and one of the favoured elaborations was the filigree, or screen, of cast ironor wrought iron. This developed to the point where it has become one of the major features of Australian architecture.
    Victorian-Filigree-terrace-architect...jpg
  • Iron lacework, two storey Victorian Filigree terrace were built of stone and reflect the "standard" terrace type pattern commonly found on Darlinghurst and Paddington, with single span iron lace balcony, arched openings to ground floor and squared lintels to first floor...As housing developed in Australia, verandas became important as a way of shading the house. From the mid-nineteenth century in particular, as people became more affluent, they built more elaborate homes, and one of the favoured elaborations was the filigree, or screen, of cast ironor wrought iron. This developed to the point where it has become one of the major features of Australian architecture.
    Victorian-Filigree-terrace-architect...jpg
  • Iron lacework, two storey Victorian Filigree terrace were built of stone and reflect the "standard" terrace type pattern commonly found on Darlinghurst and Paddington, with single span iron lace balcony, arched openings to ground floor and squared lintels to first floor...As housing developed in Australia, verandas became important as a way of shading the house. From the mid-nineteenth century in particular, as people became more affluent, they built more elaborate homes, and one of the favoured elaborations was the filigree, or screen, of cast ironor wrought iron. This developed to the point where it has become one of the major features of Australian architecture.
    Victorian-Filigree-terrace-architect...jpg
  • Façade of Birmingham's Selfridges store at night. The skin consists of thousands of spun, anodised aluminium discs that reflect the surrounding city, set against a blue curved, sprayed concrete wall. Architect: Future Systems. Engineer: Arup. Birmingham, UK, 2007
    Drawing-Parallels-Quintin-Lake-Page-...jpg
  • Iron lacework, two storey Victorian Filigree terrace were built of stone and reflect the "standard" terrace type pattern commonly found on Darlinghurst and Paddington, with single span iron lace balcony, arched openings to ground floor and squared lintels to first floor...As housing developed in Australia, verandas became important as a way of shading the house. From the mid-nineteenth century in particular, as people became more affluent, they built more elaborate homes, and one of the favoured elaborations was the filigree, or screen, of cast ironor wrought iron. This developed to the point where it has become one of the major features of Australian architecture.
    Victorian-Filigree-terrace-architect...jpg
  • Iron lacework, two storey Victorian Filigree terrace were built of stone and reflect the "standard" terrace type pattern commonly found on Darlinghurst and Paddington, with single span iron lace balcony, arched openings to ground floor and squared lintels to first floor...As housing developed in Australia, verandas became important as a way of shading the house. From the mid-nineteenth century in particular, as people became more affluent, they built more elaborate homes, and one of the favoured elaborations was the filigree, or screen, of cast ironor wrought iron. This developed to the point where it has become one of the major features of Australian architecture.
    Victorian-Filigree-terrace-architect...jpg
  • Reflection of old facade in new Kremlin building, Moscow Russia
    IMG_0955.jpg
  • Reflections by Severn Way between Tewksbury to Gloucester
    Severn-Tewksbury-Gloucester-QJEL-23.jpg
  • Reflections by Severn Way between Tewksbury to Gloucester
    Severn-Tewksbury-Gloucester-QJEL-22.jpg
  • Reflections by Severn Way between Tewksbury to Gloucester
    Severn-Tewksbury-Gloucester-QJEL-21.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Detail of abstract reflections of trees in side of spire. Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-11.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Detail of reflections in base of spire next to grass. Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-09.jpg
  • Family room reflected in the west pavilion .. Getty Center, Los Angeles, Architect Richard Meier. Built 1997
    Getty-Center-Meier-12.jpg
  • Façade of 30 St Mary Axe, also known as the Gherkin, at dusk. The double façade creates a natural ventilation system and giant double glazing effect; air is sandwiched between two layers of glazing and insulates the office space inside. The triangulated perimeter structure is structural and adds to the buildings rigidity. Architect Foster + Partners (2004). Engineer: Arup. London, UK, 2009
    Drawing-Parallels-Quintin-Lake-Page-...jpg
  • The main road known as the Stradun, constructed entirely of marble in 1468.and reconstructed after the 1667 earthquake. The smooth surface reflects the street lights at night and becomes glass-like after rain. The city was shelled in 1991 to 1992 during the CroatianWar of Independence. This left the street pock marked as can be seen at the lower left of the photograph. A more recent patina has been added by chewing gum and a pistachio shell. Dubrovnik, Croatia, 2005
    Drawing-Parallels-Quintin-Lake-Page-...jpg
  • One of the most characteristic tangible cultural heritages of the Cham and also one of the most sensitive to change is their house. The Cham build their houses on the ground and arrange them in orderly rows. Their houses are surrounded by a garden with a wall or hedge. The doors open to the south-west or between. The architectural style is similar to that of the Viet with walls made of brick or a mixture of lime and shells, and covered with tiles or thatch. Houses of more than one storey are rare. In certain localities, houses on stilts are found but the floor is only 30 cm above the ground. The rooms of Cham houses are arranged according to a particular order: the sitting room, rooms for the parents, children, and married women, the kitchen and ware- house (including the granary), and the nuptial room for the youngest daughter. This arrangement reflects the break-up of the matrilineal extended family system among the Cham. The Cham living in Ninh Thuan and Binh Thuan believe that they have to perform certain religious rituals before the building of a new house, particularly praying for the Land God and asking for his permission to cut down trees in the forest. A ritual is also held to receive the trees when they are transported to the village. A ground-breaking ceremony called phat moc is also held. The precinct of the Cham traditional house is the residence site of a Cham family. It is an assembly of several houses with different functions and these houses relate closely with each others.
    Vietnamese-Museum-of-Ethnology-09.jpg
  • One of the most characteristic tangible cultural heritages of the Cham and also one of the most sensitive to change is their house. The Cham build their houses on the ground and arrange them in orderly rows. Their houses are surrounded by a garden with a wall or hedge. The doors open to the south-west or between. The architectural style is similar to that of the Viet with walls made of brick or a mixture of lime and shells, and covered with tiles or thatch. Houses of more than one storey are rare. In certain localities, houses on stilts are found but the floor is only 30 cm above the ground. The rooms of Cham houses are arranged according to a particular order: the sitting room, rooms for the parents, children, and married women, the kitchen and ware- house (including the granary), and the nuptial room for the youngest daughter. This arrangement reflects the break-up of the matrilineal extended family system among the Cham. The Cham living in Ninh Thuan and Binh Thuan believe that they have to perform certain religious rituals before the building of a new house, particularly praying for the Land God and asking for his permission to cut down trees in the forest. A ritual is also held to receive the trees when they are transported to the village. A ground-breaking ceremony called phat moc is also held. The precinct of the Cham traditional house is the residence site of a Cham family. It is an assembly of several houses with different functions and these houses relate closely with each others.
    Vietnamese-Museum-of-Ethnology-08.jpg
  • One of the most characteristic tangible cultural heritages of the Cham and also one of the most sensitive to change is their house. The Cham build their houses on the ground and arrange them in orderly rows. Their houses are surrounded by a garden with a wall or hedge. The doors open to the south-west or between. The architectural style is similar to that of the Viet with walls made of brick or a mixture of lime and shells, and covered with tiles or thatch. Houses of more than one storey are rare. In certain localities, houses on stilts are found but the floor is only 30 cm above the ground. The rooms of Cham houses are arranged according to a particular order: the sitting room, rooms for the parents, children, and married women, the kitchen and ware- house (including the granary), and the nuptial room for the youngest daughter. This arrangement reflects the break-up of the matrilineal extended family system among the Cham. The Cham living in Ninh Thuan and Binh Thuan believe that they have to perform certain religious rituals before the building of a new house, particularly praying for the Land God and asking for his permission to cut down trees in the forest. A ritual is also held to receive the trees when they are transported to the village. A ground-breaking ceremony called phat moc is also held. The precinct of the Cham traditional house is the residence site of a Cham family. It is an assembly of several houses with different functions and these houses relate closely with each others.
    Vietnamese-Museum-of-Ethnology-07.jpg
  • One of the most characteristic tangible cultural heritages of the Cham and also one of the most sensitive to change is their house. The Cham build their houses on the ground and arrange them in orderly rows. Their houses are surrounded by a garden with a wall or hedge. The doors open to the south-west or between. The architectural style is similar to that of the Viet with walls made of brick or a mixture of lime and shells, and covered with tiles or thatch. Houses of more than one storey are rare. In certain localities, houses on stilts are found but the floor is only 30 cm above the ground. The rooms of Cham houses are arranged according to a particular order: the sitting room, rooms for the parents, children, and married women, the kitchen and ware- house (including the granary), and the nuptial room for the youngest daughter. This arrangement reflects the break-up of the matrilineal extended family system among the Cham. The Cham living in Ninh Thuan and Binh Thuan believe that they have to perform certain religious rituals before the building of a new house, particularly praying for the Land God and asking for his permission to cut down trees in the forest. A ritual is also held to receive the trees when they are transported to the village. A ground-breaking ceremony called phat moc is also held. The precinct of the Cham traditional house is the residence site of a Cham family. It is an assembly of several houses with different functions and these houses relate closely with each others.
    Vietnamese-Museum-of-Ethnology-06.jpg
  • One of the most characteristic tangible cultural heritages of the Cham and also one of the most sensitive to change is their house. The Cham build their houses on the ground and arrange them in orderly rows. Their houses are surrounded by a garden with a wall or hedge. The doors open to the south-west or between. The architectural style is similar to that of the Viet with walls made of brick or a mixture of lime and shells, and covered with tiles or thatch. Houses of more than one storey are rare. In certain localities, houses on stilts are found but the floor is only 30 cm above the ground. The rooms of Cham houses are arranged according to a particular order: the sitting room, rooms for the parents, children, and married women, the kitchen and ware- house (including the granary), and the nuptial room for the youngest daughter. This arrangement reflects the break-up of the matrilineal extended family system among the Cham. The Cham living in Ninh Thuan and Binh Thuan believe that they have to perform certain religious rituals before the building of a new house, particularly praying for the Land God and asking for his permission to cut down trees in the forest. A ritual is also held to receive the trees when they are transported to the village. A ground-breaking ceremony called phat moc is also held. The precinct of the Cham traditional house is the residence site of a Cham family. It is an assembly of several houses with different functions and these houses relate closely with each others.
    Vietnamese-Museum-of-Ethnology-05.jpg
  • One of the most characteristic tangible cultural heritages of the Cham and also one of the most sensitive to change is their house. The Cham build their houses on the ground and arrange them in orderly rows. Their houses are surrounded by a garden with a wall or hedge. The doors open to the south-west or between. The architectural style is similar to that of the Viet with walls made of brick or a mixture of lime and shells, and covered with tiles or thatch. Houses of more than one storey are rare. In certain localities, houses on stilts are found but the floor is only 30 cm above the ground. The rooms of Cham houses are arranged according to a particular order: the sitting room, rooms for the parents, children, and married women, the kitchen and ware- house (including the granary), and the nuptial room for the youngest daughter. This arrangement reflects the break-up of the matrilineal extended family system among the Cham. The Cham living in Ninh Thuan and Binh Thuan believe that they have to perform certain religious rituals before the building of a new house, particularly praying for the Land God and asking for his permission to cut down trees in the forest. A ritual is also held to receive the trees when they are transported to the village. A ground-breaking ceremony called phat moc is also held. The precinct of the Cham traditional house is the residence site of a Cham family. It is an assembly of several houses with different functions and these houses relate closely with each others.
    Vietnamese-Museum-of-Ethnology-04.jpg
  • One of the most characteristic tangible cultural heritages of the Cham and also one of the most sensitive to change is their house. The Cham build their houses on the ground and arrange them in orderly rows. Their houses are surrounded by a garden with a wall or hedge. The doors open to the south-west or between. The architectural style is similar to that of the Viet with walls made of brick or a mixture of lime and shells, and covered with tiles or thatch. Houses of more than one storey are rare. In certain localities, houses on stilts are found but the floor is only 30 cm above the ground. The rooms of Cham houses are arranged according to a particular order: the sitting room, rooms for the parents, children, and married women, the kitchen and ware- house (including the granary), and the nuptial room for the youngest daughter. This arrangement reflects the break-up of the matrilineal extended family system among the Cham. The Cham living in Ninh Thuan and Binh Thuan believe that they have to perform certain religious rituals before the building of a new house, particularly praying for the Land God and asking for his permission to cut down trees in the forest. A ritual is also held to receive the trees when they are transported to the village. A ground-breaking ceremony called phat moc is also held. The precinct of the Cham traditional house is the residence site of a Cham family. It is an assembly of several houses with different functions and these houses relate closely with each others.
    Vietnamese-Museum-of-Ethnology-03.jpg
  • One of the most characteristic tangible cultural heritages of the Cham and also one of the most sensitive to change is their house. The Cham build their houses on the ground and arrange them in orderly rows. Their houses are surrounded by a garden with a wall or hedge. The doors open to the south-west or between. The architectural style is similar to that of the Viet with walls made of brick or a mixture of lime and shells, and covered with tiles or thatch. Houses of more than one storey are rare. In certain localities, houses on stilts are found but the floor is only 30 cm above the ground. The rooms of Cham houses are arranged according to a particular order: the sitting room, rooms for the parents, children, and married women, the kitchen and ware- house (including the granary), and the nuptial room for the youngest daughter. This arrangement reflects the break-up of the matrilineal extended family system among the Cham. The Cham living in Ninh Thuan and Binh Thuan believe that they have to perform certain religious rituals before the building of a new house, particularly praying for the Land God and asking for his permission to cut down trees in the forest. A ritual is also held to receive the trees when they are transported to the village. A ground-breaking ceremony called phat moc is also held. The precinct of the Cham traditional house is the residence site of a Cham family. It is an assembly of several houses with different functions and these houses relate closely with each others.
    Vietnamese-Museum-of-Ethnology-02.jpg
  • View from washroom to quod with shutters open and window reflected in mirror
    BGS025_QL-11.tif
  • Reflections by Severn Way between Tewksbury to Gloucester
    Severn-Tewksbury-Gloucester-QJEL-24.jpg
  • Reflections by Severn Way between Tewksbury to Gloucester
    Severn-Tewksbury-Gloucester-QJEL-20.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Detail of reflections in base of spire next to grass. Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-10.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Detail of tree reflection in artwork. Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-06.jpg
  • The Family reflected in a pool. Getty Center, Los Angeles, Architect Richard Meier. Built 1997
    Getty-Center-Meier-17.jpg
  • Electrified barbed wire fence and security light reflected in the surface of the Water reservoir / Swimming pool reserved for the SS at Auschwitz I Extermination Camp
    Auschwitz-I-10.jpg
  • One of the most characteristic tangible cultural heritages of the Cham and also one of the most sensitive to change is their house. The Cham build their houses on the ground and arrange them in orderly rows. Their houses are surrounded by a garden with a wall or hedge. The doors open to the south-west or between. The architectural style is similar to that of the Viet with walls made of brick or a mixture of lime and shells, and covered with tiles or thatch. Houses of more than one storey are rare. In certain localities, houses on stilts are found but the floor is only 30 cm above the ground. The rooms of Cham houses are arranged according to a particular order: the sitting room, rooms for the parents, children, and married women, the kitchen and ware- house (including the granary), and the nuptial room for the youngest daughter. This arrangement reflects the break-up of the matrilineal extended family system among the Cham. The Cham living in Ninh Thuan and Binh Thuan believe that they have to perform certain religious rituals before the building of a new house, particularly praying for the Land God and asking for his permission to cut down trees in the forest. A ritual is also held to receive the trees when they are transported to the village. A ground-breaking ceremony called phat moc is also held. The precinct of the Cham traditional house is the residence site of a Cham family. It is an assembly of several houses with different functions and these houses relate closely with each others.
    Vietnamese-Museum-of-Ethnology-01.jpg
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