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  • The Malvern hills seen from Witcombe wood on the Cotswold Way, England
    Cotswold-Way-6-04.jpg
  • Gehry House, by Frank Gehry, at Santa Monica, California, Deconstructivist Post-Modern. built 1978.
    Gehry-House-Santa-Monica-01.jpg
  • Architect's model of house. Pick Up Sticks Enterprises, Studio & Workshop of Architect & Artist Christopher Dukes, Kingsford, Sydney, New South Wales, Australia.
    Pick-Up-Sticks-Enterprises-Christoph...jpg
  • Gehry House, by Frank Gehry, at Santa Monica, California, Deconstructivist Post-Modern. built 1978.
    Gehry-House-Santa-Monica-04.jpg
  • Gehry House, by Frank Gehry, at Santa Monica, California, Deconstructivist Post-Modern. built 1978.
    Gehry-House-Santa-Monica-03.jpg
  • Gehry House, by Frank Gehry, at Santa Monica, California, Deconstructivist Post-Modern. built 1978.
    Gehry-House-Santa-Monica-02.jpg
  • Architect's model of house. Pick Up Sticks Enterprises, Studio & Workshop of Architect & Artist Christopher Dukes, Kingsford, Sydney, New South Wales, Australia.
    Pick-Up-Sticks-Enterprises-Christoph...jpg
  • Architect's model of house. Pick Up Sticks Enterprises, Studio & Workshop of Architect & Artist Christopher Dukes, Kingsford, Sydney, New South Wales, Australia.
    Pick-Up-Sticks-Enterprises-Christoph...jpg
  • Pick Up Sticks Enterprises, Studio & Workshop of Architect & Artist Christopher Dukes, Kingsford, Sydney, New South Wales, Australia.
    Pick-Up-Sticks-Enterprises-Christoph...jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-12.jpg
  • A field of pronounced Ridge and furrow pattern contrasts with a wood, Lower Coscombe Wood Stanway, Gloucestershire, England
    Cotswolds-9-13.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-16.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-15.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-13.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-11.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-10.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-09.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-08.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-07.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-06.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-04.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-03.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-01.jpg
  • The Circus is an example of Georgian architecture in the city of Bath, Somerset, England, begun in 1754 and completed in 1768. The name comes from the Latin 'circus', which means a ring, oval or circle..The Circus, was designed by the architect John Wood the Elder, although he never lived to see his plans put into effect as he died less than three months after the first stone was laid. It was left to his son, John Wood the Younger to complete the scheme to his father's design...Wood's inspiration was the Roman Colosseum, but whereas the Colosseum was designed to be seen from the outside, the Circus faces inwardly. The circus consists of 3 storey townhouses and mansard. 3 or 4 windows. Divided into 3 blocks, all of the same size but each with a different number of houses. Three classical Orders, (Greek Doric, Roman/Composite and Corinthian) are used, one above the other, in the elegant curved facades. The masonry between columns is not curved but this is not apparent.  The frieze of the Doric entablature is decorated with alternating triglyphs and 525 unique pictorial emblems in the metopes, including serpents, nautical symbols, devices representing the arts and sciences, and masonic symbols. The parapet is adorned with stone acorn finials...The Circus is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance.
    The_Circus_Bath_England-10.jpg
  • The Circus is an example of Georgian architecture in the city of Bath, Somerset, England, begun in 1754 and completed in 1768. The name comes from the Latin 'circus', which means a ring, oval or circle..The Circus, was designed by the architect John Wood the Elder, although he never lived to see his plans put into effect as he died less than three months after the first stone was laid. It was left to his son, John Wood the Younger to complete the scheme to his father's design...Wood's inspiration was the Roman Colosseum, but whereas the Colosseum was designed to be seen from the outside, the Circus faces inwardly. The circus consists of 3 storey townhouses and mansard. 3 or 4 windows. Divided into 3 blocks, all of the same size but each with a different number of houses. Three classical Orders, (Greek Doric, Roman/Composite and Corinthian) are used, one above the other, in the elegant curved facades. The masonry between columns is not curved but this is not apparent.  The frieze of the Doric entablature is decorated with alternating triglyphs and 525 unique pictorial emblems in the metopes, including serpents, nautical symbols, devices representing the arts and sciences, and masonic symbols. The parapet is adorned with stone acorn finials...The Circus is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance.
    The_Circus_Bath_England-09.jpg
  • The Circus is an example of Georgian architecture in the city of Bath, Somerset, England, begun in 1754 and completed in 1768. The name comes from the Latin 'circus', which means a ring, oval or circle..The Circus, was designed by the architect John Wood the Elder, although he never lived to see his plans put into effect as he died less than three months after the first stone was laid. It was left to his son, John Wood the Younger to complete the scheme to his father's design...Wood's inspiration was the Roman Colosseum, but whereas the Colosseum was designed to be seen from the outside, the Circus faces inwardly. The circus consists of 3 storey townhouses and mansard. 3 or 4 windows. Divided into 3 blocks, all of the same size but each with a different number of houses. Three classical Orders, (Greek Doric, Roman/Composite and Corinthian) are used, one above the other, in the elegant curved facades. The masonry between columns is not curved but this is not apparent.  The frieze of the Doric entablature is decorated with alternating triglyphs and 525 unique pictorial emblems in the metopes, including serpents, nautical symbols, devices representing the arts and sciences, and masonic symbols. The parapet is adorned with stone acorn finials...The Circus is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance.
    The_Circus_Bath_England-08.jpg
  • The Circus is an example of Georgian architecture in the city of Bath, Somerset, England, begun in 1754 and completed in 1768. The name comes from the Latin 'circus', which means a ring, oval or circle..The Circus, was designed by the architect John Wood the Elder, although he never lived to see his plans put into effect as he died less than three months after the first stone was laid. It was left to his son, John Wood the Younger to complete the scheme to his father's design...Wood's inspiration was the Roman Colosseum, but whereas the Colosseum was designed to be seen from the outside, the Circus faces inwardly. The circus consists of 3 storey townhouses and mansard. 3 or 4 windows. Divided into 3 blocks, all of the same size but each with a different number of houses. Three classical Orders, (Greek Doric, Roman/Composite and Corinthian) are used, one above the other, in the elegant curved facades. The masonry between columns is not curved but this is not apparent.  The frieze of the Doric entablature is decorated with alternating triglyphs and 525 unique pictorial emblems in the metopes, including serpents, nautical symbols, devices representing the arts and sciences, and masonic symbols. The parapet is adorned with stone acorn finials...The Circus is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance.
    The_Circus_Bath_England-07.jpg
  • The Circus is an example of Georgian architecture in the city of Bath, Somerset, England, begun in 1754 and completed in 1768. The name comes from the Latin 'circus', which means a ring, oval or circle..The Circus, was designed by the architect John Wood the Elder, although he never lived to see his plans put into effect as he died less than three months after the first stone was laid. It was left to his son, John Wood the Younger to complete the scheme to his father's design...Wood's inspiration was the Roman Colosseum, but whereas the Colosseum was designed to be seen from the outside, the Circus faces inwardly. The circus consists of 3 storey townhouses and mansard. 3 or 4 windows. Divided into 3 blocks, all of the same size but each with a different number of houses. Three classical Orders, (Greek Doric, Roman/Composite and Corinthian) are used, one above the other, in the elegant curved facades. The masonry between columns is not curved but this is not apparent.  The frieze of the Doric entablature is decorated with alternating triglyphs and 525 unique pictorial emblems in the metopes, including serpents, nautical symbols, devices representing the arts and sciences, and masonic symbols. The parapet is adorned with stone acorn finials...The Circus is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance.
    The_Circus_Bath_England-06.jpg
  • The Circus is an example of Georgian architecture in the city of Bath, Somerset, England, begun in 1754 and completed in 1768. The name comes from the Latin 'circus', which means a ring, oval or circle..The Circus, was designed by the architect John Wood the Elder, although he never lived to see his plans put into effect as he died less than three months after the first stone was laid. It was left to his son, John Wood the Younger to complete the scheme to his father's design...Wood's inspiration was the Roman Colosseum, but whereas the Colosseum was designed to be seen from the outside, the Circus faces inwardly. The circus consists of 3 storey townhouses and mansard. 3 or 4 windows. Divided into 3 blocks, all of the same size but each with a different number of houses. Three classical Orders, (Greek Doric, Roman/Composite and Corinthian) are used, one above the other, in the elegant curved facades. The masonry between columns is not curved but this is not apparent.  The frieze of the Doric entablature is decorated with alternating triglyphs and 525 unique pictorial emblems in the metopes, including serpents, nautical symbols, devices representing the arts and sciences, and masonic symbols. The parapet is adorned with stone acorn finials...The Circus is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance.
    The_Circus_Bath_England-05.jpg
  • The Circus is an example of Georgian architecture in the city of Bath, Somerset, England, begun in 1754 and completed in 1768. The name comes from the Latin 'circus', which means a ring, oval or circle..The Circus, was designed by the architect John Wood the Elder, although he never lived to see his plans put into effect as he died less than three months after the first stone was laid. It was left to his son, John Wood the Younger to complete the scheme to his father's design...Wood's inspiration was the Roman Colosseum, but whereas the Colosseum was designed to be seen from the outside, the Circus faces inwardly. The circus consists of 3 storey townhouses and mansard. 3 or 4 windows. Divided into 3 blocks, all of the same size but each with a different number of houses. Three classical Orders, (Greek Doric, Roman/Composite and Corinthian) are used, one above the other, in the elegant curved facades. The masonry between columns is not curved but this is not apparent.  The frieze of the Doric entablature is decorated with alternating triglyphs and 525 unique pictorial emblems in the metopes, including serpents, nautical symbols, devices representing the arts and sciences, and masonic symbols. The parapet is adorned with stone acorn finials...The Circus is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance.
    The_Circus_Bath_England-04.jpg
  • The Circus is an example of Georgian architecture in the city of Bath, Somerset, England, begun in 1754 and completed in 1768. The name comes from the Latin 'circus', which means a ring, oval or circle..The Circus, was designed by the architect John Wood the Elder, although he never lived to see his plans put into effect as he died less than three months after the first stone was laid. It was left to his son, John Wood the Younger to complete the scheme to his father's design...Wood's inspiration was the Roman Colosseum, but whereas the Colosseum was designed to be seen from the outside, the Circus faces inwardly. The circus consists of 3 storey townhouses and mansard. 3 or 4 windows. Divided into 3 blocks, all of the same size but each with a different number of houses. Three classical Orders, (Greek Doric, Roman/Composite and Corinthian) are used, one above the other, in the elegant curved facades. The masonry between columns is not curved but this is not apparent.  The frieze of the Doric entablature is decorated with alternating triglyphs and 525 unique pictorial emblems in the metopes, including serpents, nautical symbols, devices representing the arts and sciences, and masonic symbols. The parapet is adorned with stone acorn finials...The Circus is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance.
    The_Circus_Bath_England-01.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-14.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-05.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-02.jpg
  • The Circus is an example of Georgian architecture in the city of Bath, Somerset, England, begun in 1754 and completed in 1768. The name comes from the Latin 'circus', which means a ring, oval or circle..The Circus, was designed by the architect John Wood the Elder, although he never lived to see his plans put into effect as he died less than three months after the first stone was laid. It was left to his son, John Wood the Younger to complete the scheme to his father's design...Wood's inspiration was the Roman Colosseum, but whereas the Colosseum was designed to be seen from the outside, the Circus faces inwardly. The circus consists of 3 storey townhouses and mansard. 3 or 4 windows. Divided into 3 blocks, all of the same size but each with a different number of houses. Three classical Orders, (Greek Doric, Roman/Composite and Corinthian) are used, one above the other, in the elegant curved facades. The masonry between columns is not curved but this is not apparent.  The frieze of the Doric entablature is decorated with alternating triglyphs and 525 unique pictorial emblems in the metopes, including serpents, nautical symbols, devices representing the arts and sciences, and masonic symbols. The parapet is adorned with stone acorn finials...The Circus is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance.
    The_Circus_Bath_England-03.jpg
  • The Circus is an example of Georgian architecture in the city of Bath, Somerset, England, begun in 1754 and completed in 1768. The name comes from the Latin 'circus', which means a ring, oval or circle..The Circus, was designed by the architect John Wood the Elder, although he never lived to see his plans put into effect as he died less than three months after the first stone was laid. It was left to his son, John Wood the Younger to complete the scheme to his father's design...Wood's inspiration was the Roman Colosseum, but whereas the Colosseum was designed to be seen from the outside, the Circus faces inwardly. The circus consists of 3 storey townhouses and mansard. 3 or 4 windows. Divided into 3 blocks, all of the same size but each with a different number of houses. Three classical Orders, (Greek Doric, Roman/Composite and Corinthian) are used, one above the other, in the elegant curved facades. The masonry between columns is not curved but this is not apparent.  The frieze of the Doric entablature is decorated with alternating triglyphs and 525 unique pictorial emblems in the metopes, including serpents, nautical symbols, devices representing the arts and sciences, and masonic symbols. The parapet is adorned with stone acorn finials...The Circus is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance.
    The_Circus_Bath_England-02.jpg
  • Fields of pronounced Ridge and furrow patterns, Lower Coscombe Wood Stanway, Gloucestershire, England
    Cotswolds-9-11.jpg
  • Bluebells in front of beech trees at Standish Wood in spring near the Cotswold way. Gloucestershire, England
    Cotswold-Way-5-12.jpg
  • Bluebells in front of beech trees at Standish Wood in spring near the Cotswold way. Gloucestershire, England
    Cotswold-Way-5-11.jpg
  • Sunlight falls on blanket of bluebells and beech trees at Standish Wood in spring near the Cotswold way. Gloucestershire, England
    Cotswold-Way-5-09.jpg
  • A wood effect Corinthian column in the middle of a hotel room, Cat Ba Town, Cat ba Island, vietnam
    Ha-Long-Bay-Cat-Ba-Vietnam-01.jpg
  • Beechwood forest floor at Buckland Wood, Gloucestershire
    Cotswold-Way-Day-10-02.jpg
  • A sheep in a field showing  Ridge and furrow pattern, Lower Coscombe Wood Stanway, Gloucestershire, England
    Cotswolds-9-12.jpg
  • Golden Sunset light shines through a wood onto Wild garlic flowers in Crickley Hill on the Cotswold Way
    Cotswold-Way-6-07.jpg
  • Bank of wild garlic in flower next to the Cotswold way forming a regular geometry of leaves. Cooper's Hill Wood
    Cotswold-Way-6-03.jpg
  • Sunlight falls on blanket of bluebells and beech trees at Standish Wood in spring near the Cotswold way. Gloucestershire, England
    Cotswold-Way-5-10.jpg
  • Silence V. Ardintoul Wood, Scotland.
    278-Glenelg-Totaig-17.jpg
  • Silence IV. Ardintoul Wood, Scotland.
    278-Glenelg-Totaig-16.jpg
  • Silence I. Ardintoul Wood, Scotland.
    278-Glenelg-Totaig-13.jpg
  • Logging III, Ardcastle Wood, Argyll & Bute, Scotland.
    219-Inverary-ArdcastleWood-06.jpg
  • Oak boughs, Long Wood, River Dart, Devon
    044-Kingswear-Totnes-03.jpg
  • Mist rising from the Wye below Wintour’s Leap and Piercefield Wood. The River Severn at low tide beyond. From a walk along the Welsh Wye from Chepstow to Brockweir and back along Offa's Dyke on the English side in the dark.
    Wye-Mist-Chepstow-QJEL-05.jpg
  • Eldbotle Wood from Broad Sands, East Lothian, Scotland.
    365-GullanePoint-NorthBerwick-07.jpg
  • Christmas tree farm, Craigiehowe Wood, Black Isle, Ross & Cromarty, Scotland.
    335-Fortrose-Inverness-19.jpg
  • Silence V. Ardintoul Wood, Scotland.
    278-Glenelg-Totaig-18.jpg
  • Silence III. Ardintoul Wood, Scotland.
    278-Glenelg-Totaig-15.jpg
  • Silence II. Ardintoul Wood, Scotland.
    278-Glenelg-Totaig-14.jpg
  • Logging II, Ardcastle Wood, Argyll & Bute, Scotland.
    219-Inverary-ArdcastleWood-04.jpg
  • Logging I, Ardcastle Wood, Argyll & Bute, Scotland.
    219-Inverary-ArdcastleWood-02.jpg
  • Snowdrops and shadows, Shore Wood, Eggerness Point, Dumfries and Galloway, Scotland.
    186-Garlieston-PortAllen-02.jpg
  • Trunk, Shore Wood, Eggerness Point, Dumfries and Galloway, Scotland.
    186-Garlieston-PortAllen-01.jpg
  • High Stribers Wood, Cumbria.
    160-Cark-Ulverston-07.jpg
  • Cedar wood ceiling inside the National Assembly for Wales, Cardiff Bay. Architect: Richard Rogers Partnership.
    Glamorgan-Print-01.jpg
  • The Observatory, Detail of wood charred cladding (Shou Sugi Ban), Lymington Salt marshes.
    Hampshire-Print -16.jpg
  • Lamorran Wood, River Fal, Cornwall.
    062-StJustCreek-Truro-03.jpg
  • Milltown Wood, Cornwall.
    057-Lostwithiel-StAustell-02.jpg
  • Path to Rock Park Wood, Cornwall.
    053-Saltash-Torpoint-05.jpg
  • The Observatory, Detail of wood charred cladding (Shou Sugi Ban), Lymington Salt marshes.
    029-Bucklers-Hard-Barton-On-Sea-1080...jpg
  • Piercefield Wood by the Wye, Wales.
    Wye-Mist-Chepstow-QJEL-03.jpg
  • Castle Stuart and West Fraser Europe (an engineered wood panel manufacturer) from Alterlie Point, Inverness, Scotland.
    336-Inverness-Fort George-12.jpg
  • Ardmolich Wood,  Loch Moidart, Lochaber, Highland, Scotland.
    264-Ardmolich-SmirisaryHill-02.jpg
  • Loch Fyne and Otter Ferry from Ardcastle Wood, Argyll & Bute, Scotland.
    219-Inverary-ArdcastleWood-05.jpg
  • Path, Shore Wood, Eggerness Point, Dumfries and Galloway, Scotland.
    186-Garlieston-PortAllen-03.jpg
  • Cedar wood ceiling inside the National Assembly for Wales, Cardiff Bay. Architect: Richard Rogers Partnership.
    098-Cardiff-Barry-01.jpg
  • Rainbow over Culbone Wood, Somerset.
    088-Lymouth-Minehead-07.jpg
  • Beech wood near Clovelly, Devon.
    083-Clovelly-Appledore-05.jpg
  • Mahmood, a Bedouin guide, collecting fire wood in the White Desert, Egypt
    Western-Desert-Sahara-Egypt-QJEL-13.jpg
  • The communal house is the most important building in a Bahnar village. Traditionally, communal houses serve as meeting halls for the men in the village and as places where rituals, celebrations, and preparation for war or defense of the village take place. This house was built after the model of the 20th century communal house of Kon Rbang village (Vinh Quang commune, Kontum Town, Kontum Province). This model house in Kon Rbang is the only one that maintains the traditional system of building with poles and beams, which has existed for over 70 years in the Central Highlands. In order to create a traditional communal house untouched by modernization, museum researchers worked closely with villagers and consulted old photographs to better understand the traditional model. The form, size, and structure of the museum's communal house replicate those found in the village now, though the house you see here has restored many of the traditional features that have been lost in today's village houses. The roof here is made of straw rather than corrugated iron. The rafters are made of circle-shaped pieces of wood rather than square ones. The floor is made of bamboo rather than wooden planks. The stairs are rounded pieces of wood rather than cement. The wood, bamboo, rattan, and straw used for making the house were brought from the Central Highlands. The diameter of the largest poles is 60cm. The length of the beams is 14-15 m. The height of the roof is nearly 19m including the decorative frame, with each of the principal roof beams about 13m long. The 90m2 floor is elevated 3m above the ground and accessed by four sets of stairs. The Vietnam Museum of Ethnology invited 29 Bahnar people from Kon Rbang to construct the house on the museum grounds. The first poles were erected on April 26, 2003. On June 4, 2003, the house was fully completed. Visitors to the VME now have the rare opportunity of experiencing this unique architectural style first-hand and appreciating the tradition
    Vietnamese-Museum-of-Ethnology-25.jpg
  • The communal house is the most important building in a Bahnar village. Traditionally, communal houses serve as meeting halls for the men in the village and as places where rituals, celebrations, and preparation for war or defense of the village take place. This house was built after the model of the 20th century communal house of Kon Rbang village (Vinh Quang commune, Kontum Town, Kontum Province). This model house in Kon Rbang is the only one that maintains the traditional system of building with poles and beams, which has existed for over 70 years in the Central Highlands. In order to create a traditional communal house untouched by modernization, museum researchers worked closely with villagers and consulted old photographs to better understand the traditional model. The form, size, and structure of the museum's communal house replicate those found in the village now, though the house you see here has restored many of the traditional features that have been lost in today's village houses. The roof here is made of straw rather than corrugated iron. The rafters are made of circle-shaped pieces of wood rather than square ones. The floor is made of bamboo rather than wooden planks. The stairs are rounded pieces of wood rather than cement. The wood, bamboo, rattan, and straw used for making the house were brought from the Central Highlands. The diameter of the largest poles is 60cm. The length of the beams is 14-15 m. The height of the roof is nearly 19m including the decorative frame, with each of the principal roof beams about 13m long. The 90m2 floor is elevated 3m above the ground and accessed by four sets of stairs. The Vietnam Museum of Ethnology invited 29 Bahnar people from Kon Rbang to construct the house on the museum grounds. The first poles were erected on April 26, 2003. On June 4, 2003, the house was fully completed. Visitors to the VME now have the rare opportunity of experiencing this unique architectural style first-hand and appreciating the tradition
    Vietnamese-Museum-of-Ethnology-24.jpg
  • This house was built in 1984 by father of the last owner, Mr. Thao Phang Khay (born in 1972), of De Cho Chua A village, Pung Luong commune, Mu Cang Chai district, Yen Bai province. This was the home of a family of four. Hmong houses are built of wood, directly on the ground. For the flower Hmong of Mu Cang Chai, the wood must be that of the po mu tree (visible growing behind this house). House-building is men's work. Only axes and knives are used as tools, and all of the pieces are lashed together. This house was reconstructed at the museum in six days in 1999, by a group of seven Hmong villagers.
    Vietnamese-Museum-of-Ethnology-34.jpg
  • This house was built in 1984 by father of the last owner, Mr. Thao Phang Khay (born in 1972), of De Cho Chua A village, Pung Luong commune, Mu Cang Chai district, Yen Bai province. This was the home of a family of four. Hmong houses are built of wood, directly on the ground. For the flower Hmong of Mu Cang Chai, the wood must be that of the po mu tree (visible growing behind this house). House-building is men's work. Only axes and knives are used as tools, and all of the pieces are lashed together. This house was reconstructed at the museum in six days in 1999, by a group of seven Hmong villagers.
    Vietnamese-Museum-of-Ethnology-33.jpg
  • This house was built in 1984 by father of the last owner, Mr. Thao Phang Khay (born in 1972), of De Cho Chua A village, Pung Luong commune, Mu Cang Chai district, Yen Bai province. This was the home of a family of four. Hmong houses are built of wood, directly on the ground. For the flower Hmong of Mu Cang Chai, the wood must be that of the po mu tree (visible growing behind this house). House-building is men's work. Only axes and knives are used as tools, and all of the pieces are lashed together. This house was reconstructed at the museum in six days in 1999, by a group of seven Hmong villagers.
    Vietnamese-Museum-of-Ethnology-32.jpg
  • This house was built in 1984 by father of the last owner, Mr. Thao Phang Khay (born in 1972), of De Cho Chua A village, Pung Luong commune, Mu Cang Chai district, Yen Bai province. This was the home of a family of four. Hmong houses are built of wood, directly on the ground. For the flower Hmong of Mu Cang Chai, the wood must be that of the po mu tree (visible growing behind this house). House-building is men's work. Only axes and knives are used as tools, and all of the pieces are lashed together. This house was reconstructed at the museum in six days in 1999, by a group of seven Hmong villagers.
    Vietnamese-Museum-of-Ethnology-31.jpg
  • Architect: John Wood the Elder.
    Historic-33.jpg
  • Wood-lined gun embrasure of a German WWII bunker. The stepping form and wood lining were designed to minimise shrapnel entering the opening during an attack. Alderney, Channel Islands, 2006
    Drawing-Parallels-Quintin-Lake-Page-...jpg
  • Wood-lined gun embrasure of a German WWII bunker. The stepping form and wood lining were designed to minimise shrapnel entering the opening during an attack. Alderney, Channel Islands, 2006
    24.jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
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