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  • Two states of consciousness: the awakened state & the state of self-identification. Writing on wall and light stitches. Pick Up Sticks Enterprises, Studio & Workshop of Architect & Artist Christopher Dukes, Kingsford, Sydney, New South Wales, Australia.
    Pick-Up-Sticks-Enterprises-Christoph...jpg
  • From the series Pripyat: 21 Years After Chernobyl, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    Pripyat-18.jpg
  • From the series “Pripyat: 21 Years After Chernobyl”, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 42x42 & 90x90cm.
    Exercise books on a classroom floor,..2007
  • Exercise books and broken glass on a classroom floor.
    Pripyat_QL-08.tif
  • Dylan Thomas’ writing shed, Laugharne, Dyfed.
    109-Laugharne-Saundersfoot-05.jpg
  • The writing shed used by Dylan Thomas, close to The Boathouse, Laugharne, Dyfed.
    109-Laugharne-Saundersfoot-03.jpg
  • Hawker’s Hut, where clergyman Robert Stephen Hawker (1803 – 1875) spent many hours writing poems and smoking opium, Cornwall.
    MarslandMouth-11.jpg
  • Vanishing Shanghai II. An area of low-rise housing is demolished for development. The writing on the wall reads, "Overusage of Electricity Prohibited". Shanghai, China, 2007
    Vanishing-Shanghai-QJEL-02.jpg
  • Calligraphy in florid thuluth script by Persian calligrapher Amanat Khan around the Pishtaq (main entrance) of the Taj Mahal. Jasper inlaid in white marble panels. The writing is slightly larger on the higher panels to reduce the skewing effect from below. The text is fromYaSin, the 36th chapter of the Koran. Agra, India, 2002
    Drawing-Parallels-Quintin-Lake-Page-...jpg
  • An area of low-rise housing is demolished for development. The writing on the wall reads, "Overusage of Electricity Prohibited". Shanghai, China, 2007
    Drawing-Parallels-Quintin-Lake-Page-...jpg
  • The Oxford University Museum of Natural History designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-04.jpg
  • The Oxford University Museum of Natural History designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-05.jpg
  • The Oxford University Museum of Natural History designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-02.jpg
  • The Oxford University Museum of Natural History designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-03.jpg
  • The Oxford University Museum of Natural History designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-01.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-31.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-30.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-28.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-26.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-22.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-21.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-20.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-13.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-10.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-11.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-32.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-29.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-25.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-24.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-23.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-19.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-18.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-17.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-16.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-15.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-14.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-12.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-09.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-07.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-06.jpg
  • Interior of The Oxford University Museum of Natural History. The square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone.The building is designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-08.jpg
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