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  • Iron lacework, two storey Victorian Filigree terrace were built of stone and reflect the "standard" terrace type pattern commonly found on Darlinghurst and Paddington, with single span iron lace balcony, arched openings to ground floor and squared lintels to first floor...As housing developed in Australia, verandas became important as a way of shading the house. From the mid-nineteenth century in particular, as people became more affluent, they built more elaborate homes, and one of the favoured elaborations was the filigree, or screen, of cast ironor wrought iron. This developed to the point where it has become one of the major features of Australian architecture.
    Victorian-Filigree-terrace-architect...jpg
  • Iron lacework, two storey Victorian Filigree terrace were built of stone and reflect the "standard" terrace type pattern commonly found on Darlinghurst and Paddington, with single span iron lace balcony, arched openings to ground floor and squared lintels to first floor...As housing developed in Australia, verandas became important as a way of shading the house. From the mid-nineteenth century in particular, as people became more affluent, they built more elaborate homes, and one of the favoured elaborations was the filigree, or screen, of cast ironor wrought iron. This developed to the point where it has become one of the major features of Australian architecture.
    Victorian-Filigree-terrace-architect...jpg
  • Iron lacework, two storey Victorian Filigree terrace were built of stone and reflect the "standard" terrace type pattern commonly found on Darlinghurst and Paddington, with single span iron lace balcony, arched openings to ground floor and squared lintels to first floor...As housing developed in Australia, verandas became important as a way of shading the house. From the mid-nineteenth century in particular, as people became more affluent, they built more elaborate homes, and one of the favoured elaborations was the filigree, or screen, of cast ironor wrought iron. This developed to the point where it has become one of the major features of Australian architecture.
    Victorian-Filigree-terrace-architect...jpg
  • Iron lacework, two storey Victorian Filigree terrace were built of stone and reflect the "standard" terrace type pattern commonly found on Darlinghurst and Paddington, with single span iron lace balcony, arched openings to ground floor and squared lintels to first floor...As housing developed in Australia, verandas became important as a way of shading the house. From the mid-nineteenth century in particular, as people became more affluent, they built more elaborate homes, and one of the favoured elaborations was the filigree, or screen, of cast ironor wrought iron. This developed to the point where it has become one of the major features of Australian architecture.
    Victorian-Filigree-terrace-architect...jpg
  • Iron lacework, two storey Victorian Filigree terrace were built of stone and reflect the "standard" terrace type pattern commonly found on Darlinghurst and Paddington, with single span iron lace balcony, arched openings to ground floor and squared lintels to first floor...As housing developed in Australia, verandas became important as a way of shading the house. From the mid-nineteenth century in particular, as people became more affluent, they built more elaborate homes, and one of the favoured elaborations was the filigree, or screen, of cast ironor wrought iron. This developed to the point where it has become one of the major features of Australian architecture.
    Victorian-Filigree-terrace-architect...jpg
  • Iron lacework, two storey Victorian Filigree terrace were built of stone and reflect the "standard" terrace type pattern commonly found on Darlinghurst and Paddington, with single span iron lace balcony, arched openings to ground floor and squared lintels to first floor...As housing developed in Australia, verandas became important as a way of shading the house. From the mid-nineteenth century in particular, as people became more affluent, they built more elaborate homes, and one of the favoured elaborations was the filigree, or screen, of cast ironor wrought iron. This developed to the point where it has become one of the major features of Australian architecture.
    Victorian-Filigree-terrace-architect...jpg
  • Iron lacework, two storey Victorian Filigree terrace were built of stone and reflect the "standard" terrace type pattern commonly found on Darlinghurst and Paddington, with single span iron lace balcony, arched openings to ground floor and squared lintels to first floor...As housing developed in Australia, verandas became important as a way of shading the house. From the mid-nineteenth century in particular, as people became more affluent, they built more elaborate homes, and one of the favoured elaborations was the filigree, or screen, of cast ironor wrought iron. This developed to the point where it has become one of the major features of Australian architecture.
    Victorian-Filigree-terrace-architect...jpg
  • Remains of one of two large minaret-like chimneys of Abbey Mills Pumping Station (Station A) that once towered over the engine house leading to the name "The Mosque in the Swamp"  in Victorian times. In WWII the towers were dismantled as their collapse during a bombing raid might damage the engine house. Located in Abbey Lane, London E15, the building is a sewerage pumping station, designed by engineer Joseph Bazalgette, Edmund Cooper, and architect Charles Driver, it was built between 1865 and 1868 after an outbreak of cholera in 1853 and "The Big Stink" of 1858. It was designed in a cruciform plan, with an elaborate Byzantine style, described as The Cathedral of Sewage. The pumps raise the sewage in the London sewerage system between the two Low Level Sewers and the Northern Outfall Sewer, which was built in the 1860s to carry the increasing amount of sewage produced in London away from the centre of the city.
    ThamesWater_QL-05.tif
  • The Oxford University Museum of Natural History designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-04.jpg
  • The museum seen from Cromwell Road
    BGS030_QL-01.tif
  • The Oxford University Museum of Natural History designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-05.jpg
  • The Oxford University Museum of Natural History designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-03.jpg
  • The Oxford University Museum of Natural History designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-02.jpg
  • The Oxford University Museum of Natural History designed by Thomas Newenham Deane and Benjamin Woodward in 1850 influenced by the writings of critic John Ruskin.
    Oxford-University-Museum-01.jpg
  • Detail of terracotta column forming part of main entrance to the Romanesque.Natural History Museum (1860 to 1880). The design was inspired by basalt columns.at Fingal's Cave in western Scotland. Built by the architect Alfred Waterhouse. London, UK, 2008
    Drawing-Parallels-Quintin-Lake-Page-...jpg
  • The remains of one of two Moorish style chimneys at Abbey Mills pumping.station which gave the building a mosque-like appearance. They have not been used.since steam power was replaced by electric motors in 1933. They were demolished.during WWII because they were a landmark for German bombers on raids over the.London docks. London, UK, 2003
    Drawing-Parallels-Quintin-Lake-Page-...jpg
  • A Thames water executive points out the northern outfall sewer that connects Abbey Mills pumping station to Beckton Sewage Treatment Works. The plan was produced by London City Council and shows the main sewers in blue, the intercepting sewers in red and the storm relief sewers in green. The system was designed by engineer Joseph Bazalgette after an outbreak of cholera in 1853 and "The Big Stink" of 1858.
    ThamesWater_QL-09.tif
  • A climbing out of Wick lane sewers,  part of the Northern outfall designed by Joseph Bazalgette after an outbreak of cholera in 1853 and "The Big Stink" of 1858. Sewage from 3.4 million Londoners passes through here every day.
    ThamesWater_QL-15.tif
  • A Thames water executive in Wick lane sewers,  part of the Northern outfall designed by Joseph Bazalgette after an outbreak of cholera in 1853 and "The Big Stink" of 1858. Sewage from 3.4 million Londoners passes through here every day.
    ThamesWater_QL-14.tif
  • Two workers standing in Wick lane sewers,  part of the Northern outfall designed by Joseph Bazalgette after an outbreak of cholera in 1853 and "The Big Stink" of 1858. Sewage from 3.4 million Londoners passes through here every day.
    ThamesWater_QL-13.tif
  • A man being lowered into Wick lane sewers,  part of the Northern outfall designed by Joseph Bazalgette after an outbreak of cholera in 1853 and "The Big Stink" of 1858. Sewage from 3.4 million Londoners passes through here every day.
    ThamesWater_QL-11.tif
  • Thames Water executives in the Interior of the old Abbey Mills Pumping Station (Station A) examining the  modern vertical motors that replaced the original steam beam engine..Located in Abbey Lane, London E15, the building is a sewerage pumping station, designed by engineer Joseph Bazalgette, Edmund Cooper, and architect Charles Driver, it was built between 1865 and 1868 after an outbreak of cholera in 1853 and "The Big Stink" of 1858. It was designed in a cruciform plan, with an elaborate Byzantine style, described as The Cathedral of Sewage. The pumps raise the sewage in the London sewerage system between the two Low Level Sewers and the Northern Outfall Sewer, which was built in the 1860s to carry the increasing amount of sewage produced in London away from the centre of the city.
    ThamesWater_QL-10.tif
  • The original cast iron sewage pipes of the old Abbey Mills Pumping Station (Station A). Located in Abbey Lane, London E15, the building is a sewerage pumping station, designed by engineer Joseph Bazalgette, Edmund Cooper, and architect Charles Driver, it was built between 1865 and 1868 after an outbreak of cholera in 1853 and "The Big Stink" of 1858. It was designed in a cruciform plan, with an elaborate Byzantine style, described as The Cathedral of Sewage. The pumps raise the sewage in the London sewerage system between the two Low Level Sewers and the Northern Outfall Sewer, which was built in the 1860s to carry the increasing amount of sewage produced in London away from the centre of the city.
    ThamesWater_QL-08.tif
  • Details of restored metalwork by Benham & Froud on a door of the old Abbey Mills Pumping Station (Station A). Located in Abbey Lane, London E15, the building is a sewerage pumping station, designed by engineer Joseph Bazalgette, Edmund Cooper, and architect Charles Driver, it was built between 1865 and 1868 after an outbreak of cholera in 1853 and "The Big Stink" of 1858. It was designed in a cruciform plan, with an elaborate Byzantine style, described as The Cathedral of Sewage. The pumps raise the sewage in the London sewerage system between the two Low Level Sewers and the Northern Outfall Sewer, which was built in the 1860s to carry the increasing amount of sewage produced in London away from the centre of the city.
    ThamesWater_QL-06.tif
  • Details of restored metalwork by Benham & Froud on a door of the old Abbey Mills Pumping Station (Station A). The cupola can be seen through the window which assisted in providing ventilation for the original steam beam engines. The stone carving shows examples of local flora. Located in Abbey Lane, London E15, the building is a sewerage pumping station, designed by engineer Joseph Bazalgette, Edmund Cooper, and architect Charles Driver, it was built between 1865 and 1868 after an outbreak of cholera in 1853 and "The Big Stink" of 1858. It was designed in a cruciform plan, with an elaborate Byzantine style, described as The Cathedral of Sewage. The pumps raise the sewage in the London sewerage system between the two Low Level Sewers and the Northern Outfall Sewer, which was built in the 1860s to carry the increasing amount of sewage produced in London away from the centre of the city.
    ThamesWater_QL-04.tif
  • Looking into the cupola in the centre of the old Abbey Mills Pumping Station (Station A) which assisted in providing ventilation for the original steam beam engines. Located in Abbey Lane, London E15, the building is a sewerage pumping station, designed by engineer Joseph Bazalgette, Edmund Cooper, and architect Charles Driver, it was built between 1865 and 1868 after an outbreak of cholera in 1853 and "The Big Stink" of 1858. It was designed in a cruciform plan, with an elaborate Byzantine style, described as The Cathedral of Sewage. The pumps raise the sewage in the London sewerage system between the two Low Level Sewers and the Northern Outfall Sewer, which was built in the 1860s to carry the increasing amount of sewage produced in London away from the centre of the city.
    ThamesWater_QL-03.tif
  • Interior of the old Abbey Mills Pumping Station (Station A) showing wrought iron metalwork and modern vertical motors that replaced the original steam beam engine..Located in Abbey Lane, London E15, the building is a sewerage pumping station, designed by engineer Joseph Bazalgette, Edmund Cooper, and architect Charles Driver, it was built between 1865 and 1868 after an outbreak of cholera in 1853 and "The Big Stink" of 1858. It was designed in a cruciform plan, with an elaborate Byzantine style, described as The Cathedral of Sewage. The pumps raise the sewage in the London sewerage system between the two Low Level Sewers and the Northern Outfall Sewer, which was built in the 1860s to carry the increasing amount of sewage produced in London away from the centre of the city.
    ThamesWater_QL-02.tif
  • Interior of the old Abbey Mills Pumping Station (Station A) showing wrought iron metalwork and modern vertical motors that replaced the original steam beam engine..Located in Abbey Lane, London E15, the building is a sewerage pumping station, designed by engineer Joseph Bazalgette, Edmund Cooper, and architect Charles Driver, it was built between 1865 and 1868 after an outbreak of cholera in 1853 and "The Big Stink" of 1858. It was designed in a cruciform plan, with an elaborate Byzantine style, described as The Cathedral of Sewage. The pumps raise the sewage in the London sewerage system between the two Low Level Sewers and the Northern Outfall Sewer, which was built in the 1860s to carry the increasing amount of sewage produced in London away from the centre of the city.
    ThamesWater_QL-01.tif
  • Detail of pillars next to Cromwell Road entrance
    BGS030_QL-10.tif
  • Detail of arch above Cromwell Road entrance
    BGS030_QL-09.tif
  • View along Cromwell Road facade
    BGS030_QL-08.tif
  • Elevation of Cromwell Road facade
    BGS030_QL-07.tif
  • Detail of Cromwell Road Facade
    BGS030_QL-06.tif
  • Museum from the south west
    BGS030_QL-05.tif
  • Park bench and museum from south west
    BGS030_QL-04.tif
  • Cromwell Road entrance towers
    BGS030_QL-03.tif
  • A Thames water executive in Wick lane sewers,  part of the Northern outfall designed by Joseph Bazalgette after an outbreak of cholera in 1853 and "The Big Stink" of 1858. Sewage from 3.4 million Londoners passes through here every day.
    ThamesWater_QL-12.tif
  • The original cast iron sewage pipes of the old Abbey Mills Pumping Station (Station A). Located in Abbey Lane, London E15, the building is a sewerage pumping station, designed by engineer Joseph Bazalgette, Edmund Cooper, and architect Charles Driver, it was built between 1865 and 1868 after an outbreak of cholera in 1853 and "The Big Stink" of 1858. It was designed in a cruciform plan, with an elaborate Byzantine style, described as The Cathedral of Sewage. The pumps raise the sewage in the London sewerage system between the two Low Level Sewers and the Northern Outfall Sewer, which was built in the 1860s to carry the increasing amount of sewage produced in London away from the centre of the city.
    ThamesWater_QL-07.tif
  • Cromwell Road entrance
    BGS030_QL-02.tif
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-74.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-73.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-68.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-67.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-60.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-49.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-10.jpg
  • Victorian cast iron columns and timber roof arches in the Grand Gallery of the National Museum of Scotland, Edinburgh.
    363-Edinburgh-Musselburgh-69.jpg
  • Victorian cast iron columns and timber roof arches in the Grand Gallery of the National Museum of Scotland, Edinburgh.
    363-Edinburgh-Musselburgh-36.jpg
  • Victorian glazed ceramic panels by E Caldwell Spruce of Burmantofts Art Pottery, Leeds set in terracotta tiles, Blackpool Tower, Lancashire.
    153-Blackpool-Fleetwood-04.jpg
  • Abandoned Victorian Colwyn Bay pier, Conwy.
    140-Colywnbay-Prestatyn-02.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-84.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-82.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-77.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-78.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-75.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-76.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-71.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-66.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-63.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-64.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-61.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-58.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-53.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-54.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-52.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-51.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-50.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-47.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-48.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-45.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-41.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-40.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-38.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-37.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-36.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-35.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-34.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-33.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-28.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-31.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-29.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-30.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-21.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-22.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-16.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-17.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-14.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-12.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-13.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-07.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-08.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-06.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-04.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-02.jpg
  • Victorian Remix, London. Guarnieri Architects, 2017
    Vic-Remix-Guarnieri-QJEL-03.jpg
  • Victorian era Morgan Arcade, Cardiff.
    098-Cardiff-Barry-04.jpg
  • The Butts on Victorian era Black Head rifle range (The mechanism was for winding the targets up and down), Cornwall.
    059-StAustell-Boswinger-06.jpg
  • South Foreland Lighthouse a Victorian lighthouse used to warn ships approaching the nearby Goodwin Sands. It went out of service in 1988.
    011-Deal-Dover-12.jpg
  • Ropewalk VII. The Victorian Ropery, The Historic Dockyard Chatham
    006-Chatham-Swale-08.jpg
  • Ropewalk V. The Victorian Ropery, The Historic Dockyard Chatham
    006-Chatham-Swale-06.jpg
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