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  • False Tree Mobile Phone Mast / Fake Cell phone Antenna Tower and white transmitter in English landscape..Disguised "Antenna Tower in the form of a Tree"  at the Offices of AlanDick  located next to the A40 at Charlton Kings. Cheltenham, Gloucestershire, England
    False-Tree-Mobile-Cell-Phone-Mast-02.jpg
  • False Tree Mobile Phone Mast / Fake Cell phone Antenna Tower and white transmitter in English landscape..Disguised "Antenna Tower in the form of a Tree"  at the Offices of AlanDick  located next to the A40 at Charlton Kings. Cheltenham, Gloucestershire, England
    False-Tree-Mobile-Cell-Phone-Mast-01.jpg
  • False Tree Mobile Phone Mast / Fake Cell phone Antenna Tower in English landscape..Disguised "Antenna Tower in the form of a Tree" at the Offices of AlanDick  located next to the A40 at Charlton Kings. Cheltenham, Gloucestershire, England
    False-Tree-Mobile-Cell-Phone-Mast-05.jpg
  • False Tree Mobile Phone Mast / Fake Cell phone Antenna Tower in English landscape..Disguised "Antenna Tower in the form of a Tree" at the Offices of AlanDick  located next to the A40 at Charlton Kings. Cheltenham, Gloucestershire, England
    False-Tree-Mobile-Cell-Phone-Mast-03.jpg
  • False Tree Mobile Phone Mast / Fake Cell phone Antenna Tower in English landscape..Disguised "Antenna Tower in the form of a Tree" at the Offices of AlanDick  located next to the A40 at Charlton Kings. Cheltenham, Gloucestershire, England
    False-Tree-Mobile-Cell-Phone-Mast-04.jpg
  • Dracaena draco is a native to the Canary Islands, and can live for up to 600 years in the wild. This tree is over 100 years old. The common name of 'Dragon's Blood Tree' comes from the bright red resin the tree produces. One of the many uses for the resin was the production of a varnish used by violin makers...Dracaena draco fell over in may 2008. the tree will not be lifted back to its former upright position, as the trunk is damaged near the base, and further movement may cause it to snap off. The tree has been fenced off to help protect the branches from damage and reduce soil compaction around the roots...Located in the Royal Botanic Gardens, Sydney, Australia
    Trees-Sydney-Botanical-Gardens-04.jpg
  • Dracaena draco is a native to the Canary Islands, and can live for up to 600 years in the wild. This tree is over 100 years old. The common name of 'Dragon's Blood Tree' comes from the bright red resin the tree produces. One of the many uses for the resin was the production of a varnish used by violin makers...Dracaena draco fell over in may 2008. the tree will not be lifted back to its former upright position, as the trunk is damaged near the base, and further movement may cause it to snap off. The tree has been fenced off to help protect the branches from damage and reduce soil compaction around the roots...Located in the Royal Botanic Gardens, Sydney, Australia
    Trees-Sydney-Botanical-Gardens-03.jpg
  • Moreton Bay Fig Tree or Ficus macrophylla Pers. ex Desf. subsp. macrophylla located in the Royal Botanic Gardens, Sydney, Australia..Central Queensland to southern New South Wales, in all rainforest types. Often planted as a shade tree in parks and large gardens. "The Childrens' Tree" - dedicated 11 Apr 1983 at the request of Children of the Green Earth by Mr. Doug Swan (Director General of Education) who proclaimed the pupils of Plunkett Street School as custodians of the tree...Central Queensland to southern New South Wales, in all rainforest types. It starts life as a seedling growing high on existing trees and slowly strangles them as its roots reach the ground. Often planted as a shade tree in parks and large gardens. The roots spread widely and will damage pipes, paths etc. Fibres from the wood were used by Aborigines for nets.
    Trees-Sydney-Botanical-Gardens-01.jpg
  • Moreton Bay Fig Tree or Ficus macrophylla Pers. ex Desf. subsp. macrophylla located in the Royal Botanic Gardens, Sydney, Australia..Central Queensland to southern New South Wales, in all rainforest types. Often planted as a shade tree in parks and large gardens. "The Childrens' Tree" - dedicated 11 Apr 1983 at the request of Children of the Green Earth by Mr. Doug Swan (Director General of Education) who proclaimed the pupils of Plunkett Street School as custodians of the tree...Central Queensland to southern New South Wales, in all rainforest types. It starts life as a seedling growing high on existing trees and slowly strangles them as its roots reach the ground. Often planted as a shade tree in parks and large gardens. The roots spread widely and will damage pipes, paths etc. Fibres from the wood were used by Aborigines for nets.
    Trees-Sydney-Botanical-Gardens-02.jpg
  • Theresa Meacham in the fork of a tree she just climbed to collect an orchid
    IOH_Expedition_QL-19.tif
  • Deforestation as part of the construction of the Interoceanic Highway
    IOH_Expedition_QL-11.tif
  • A silver birch tree growing through the floor on the terrace of the Hotel Polissia 21 years after the Chernobyl disaster. Pripiat, Ukraine, 2007
    Drawing-Parallels-Quintin-Lake-Page-...jpg
  • Theresa Meacham uses a bamboo pole to collect an orchid from the fork of a tree she just climbed watched by William Nauray
    IOH_Expedition_QL-18.tif
  • A silver birch tree grows through the floor on the terrace of Hotel Polissia. The hammer and sickle is visible atop the distant apartments.
    Pripyat_QL-04.tif
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • Quince Tree Cottage, Rockness, Gloucestershire. Architect: Millar Howard Workshop 2009. A large extension to an old cotswold cottage. The idea was to build a new cotswold stone building next to the original house and join the new and the old with a glazed link. rather than try and match the stone of the original it was decided to build the new extension with a drystone facing to contrast the new and the old. Sliding folding doors open at a corner to allow the kitchen/dining room to spill out into the garden.
    Quince-Tree-Cottage-Howard-Workshop-...jpg
  • A flock of birds fly over a lone tree and the sparse landscape at Bath Racecourse adjacent to the Cotswold Way
    Cotswold_Way_England-10.jpg
  • Supported tree in Thai Dich (Grand Liquid Lake), Hue Citadel / Imperial City, Hue,
    Thai-Hoa-Palace-14.jpg
  • Two men sit under a tree by the moat leading to Ngo Mon Gate with Five Phoenix Watchtower above, Hue Citadel / Imperial City, Hue, Vietnam
    Ngo-Mon-Gate-02.jpg
  • A supported tree near Hien Lam pavilion, Hue Citadel / Imperial City, Hue, Vietnam
    Hien-Lam-pavilion-Citadel-Hue_-01.jpg
  • Bamboo supported tree, in the Forbidden Purple City, Hue Citadel / Imperial City, Hue, Vietnam
    Emperors-Reading-Room-03.jpg
  • Suburban houses and tree lined streets south edge of Cheltenham Spa Town, Gloucestershire. Aerial view seen from Leckhampton Hill
    Cotswold-Way-Day-7-16.jpg
  • Suffolk square regency architecture (lower left) in aerial view of tree lined streets of Cheltenham Spa Town seen from Leckhampton Hill
    Cotswold-Way-Day-7-11.jpg
  • Terraced houses, tower of St Philip and St James Church, Leckhampton and facade of Suffolk square regency architecture (at right) in aerial view of tree lined streets of Cheltenham Spa Town seen from Leckhampton Hill
    Cotswold-Way-Day-7-10.jpg
  • Christ Church  & Lansdown Terrace catching the sun centre in aerial view of tree lined streets of Cheltenham Spa Town seen from Leckhampton Hill
    Cotswold-Way-Day-7-09.jpg
  • Solitary tree at Cleeve common hill at dusk near Cheltenham, Malvern Hills in the distance, Gloucestershire, England
    Cotswold-Way-England-8-25.jpg
  • Cooper's Hill, Nut Hill & May Hill (L to R)  seen from under a beech tree on Crickley Hill on the Cotswold Way
    Cotswold-Way-6-06.jpg
  • Light shines through leaves of an oak tree canopy in spring near Cotswold way. Gloucestershire, England
    Cotswold-Way-5-06.jpg
  • Tree shadows fall over a bed of spring flowers on the Cotswold Way
    Cotswold_Way_England-07.jpg
  • Railings curved for tree trunk in path of Cotswold Way through High Common, Bath
    Cotswold_Way_England-01.jpg
  • Suburban houses and tree lined road at the south edge of Cheltenham Spa Town, Gloucestershire. Aerial view seen from Leckhampton Hill
    Cotswold-Way-Day-7-17.jpg
  • Dr Edward Wilson contemplates a  Horse chestnut tree, Cheltenham  in the Long Garden in front of the Municipal Offices. ..In 1910 he joined the famous Captain Scott on his National Antarctic Expedition to the South Pole, but tragically both men died in March 1912 on the return journey...News of Wilsons death reached Cheltenham in February 1913 and a fund was set up to create a memorial to the explorer. The original plan was for two plaques to be hung in the Town Hall but Wilsons widow suggested that as Edward loved the outdoors a more suitable memorial should be erected. The bronze statue shown was modelled by Scotts widow and was unveiled on 9th July 1914 by Arctic explorer Sir Clarence Markham. A display of Wilsons Arctic clothing and kit, as well as some of his artwork, can be found at the Cheltenham Art Gallery and Museum...The inscription on the plinth of the statue reads - "He died as he lived, A brave true man. The best of comrades and the staunchest of friends."
    Cotswold-Way-6-02.jpg
  • View up into sunlit canopy of dipterocarp tree at Poring Hot Springs
    Poring-Hot-Springs-01.jpg
  • Christmas tree farm, Craigiehowe Wood, Black Isle, Ross & Cromarty, Scotland.
    335-Fortrose-Inverness-19.jpg
  • Skeletal Tree, Porlock Marshes, Somerset.
    088-Lymouth-Minehead-15.jpg
  • Fenced tree, Caerhays Castle, Cornwall.
    060-Boswinger-PorthmellinHead-01.jpg
  • Banana Tree, Rainforest Biome, Eden Project, Cornwall.
    058-Eden-Project-Loop-07.jpg
  • Heart Tree, Royal Victoria Country Park, Hampshire.
    026-Gosport-Southampton-23.jpg
  • It can, like all species of its genus Chrysopelea, glide by stretching the body into a flattened strip using its ribs. It is mostly found in moist forests and can cover a horizontal distance of about 100 metres in a glide from the top of a tree. Slow motion photography shows an undulation of the snake's body in flight while the head remains relatively stable, suggesting controlled flight.Danum Valley Conservation Area is a 438 square kilometres tract of relatively undisturbed lowland dipterocarp forest in Sabah, Malaysia. The area holds unique status in the sense that before it became a conservation area there were no human settlements within the area, meaning that hunting, logging and other human interference was non existent making the area almost unique
    danum-valley-sabah-borneo-77.jpg
  • Family of Proboscis Monkeys (Nasalis larvatus) in a tree by Kinabatangan River, Sabah
    Kinabatangan-River-Sabah-06.jpg
  • Young Proboscis Monkey (Nasalis larvatus)sitting in a tree by Kinabatangan River, Sabah
    Kinabatangan-River-Sabah-02.jpg
  • Dipterocarp Tree Buttress roots in Peradayan Forest Reserve, Brunei
    Peradayan-Forest-Reserve-Brunei-10.jpg
  • Town house with Japanese black pine tree which also may act as a barrier to prevent people climbing over the outer wall. The curved structure is an inuyarai (a lightweight removable bamboo screen) to prevent rain splashes from the ground hitting the wall and causing the timber to rot. Kyoto, Japan, 2004
    Drawing-Parallels-Quintin-Lake-Page-...jpg
  • Lochinver wishing tree, Sutherland, Scotland.
    301-LochanSal-Lochinver-12.jpg
  • Ardmaddy Wishing Tree, Argyll, Scotland.
    238-Melfort-ArdmaddyBay-04.jpg
  • Old quarry track to Bealach Gaoithe and the Ardmaddy Wishing Tree, Argyll, Scotland.
    238-Melfort-ArdmaddyBay-02.jpg
  • Wall, tree and rock become one, Ellary, Argyll & Bute, Scotland.
    232-Ormsary-PointofKnap-06.jpg
  • Wind blown Tree, Dodman Point, Cornwall.
    059-StAustell-Boswinger-19.jpg
  • It can, like all species of its genus Chrysopelea, glide by stretching the body into a flattened strip using its ribs. It is mostly found in moist forests and can cover a horizontal distance of about 100 metres in a glide from the top of a tree. Slow motion photography shows an undulation of the snake's body in flight while the head remains relatively stable, suggesting controlled flight.Danum Valley Conservation Area is a 438 square kilometres tract of relatively undisturbed lowland dipterocarp forest in Sabah, Malaysia. The area holds unique status in the sense that before it became a conservation area there were no human settlements within the area, meaning that hunting, logging and other human interference was non existent making the area almost unique
    danum-valley-sabah-borneo-78.jpg
  • Birds fly over a lone rain forest tree by Kinabatangan River, Sabah
    Kinabatangan-River-Sabah-24.jpg
  • Birds fly over a lone rain forest tree by Kinabatangan River, Sabah
    Kinabatangan-River-Sabah-23.jpg
  • Baby Proboscis Monkey (Nasalis larvatus) climbing on a tree by Kinabatangan River, Sabah
    Kinabatangan-River-Sabah-10.jpg
  • Family of Proboscis Monkeys (Nasalis larvatus) in a tree by Kinabatangan River, Sabah
    Kinabatangan-River-Sabah-07.jpg
  • Family of Proboscis Monkeys (Nasalis larvatus) in a tree by Kinabatangan River, Sabah
    Kinabatangan-River-Sabah-05.jpg
  • Young Proboscis Monkey (Nasalis larvatus) climb a tree by Kinabatangan River, Sabah
    Kinabatangan-River-Sabah-04.jpg
  • Two young Proboscis Monkeys (Nasalis larvatus) climb a tree by Kinabatangan River, Sabah
    Kinabatangan-River-Sabah-03.jpg
  • Southern Pig-tailed Macaque (Macaca nemestrina) sitting in a tree by Kinabatangan River, Sabah
    Kinabatangan-River-Sabah-01.jpg
  • Climbing plant up trunk of Dipterocarp Tree in Peradayan Forest Reserve, Brunei
    Peradayan-Forest-Reserve-Brunei-11.jpg
  • Tree house /  hide in the South Tyrol Alps. Italy, 2003
    Drawing-Parallels-Quintin-Lake-Page-...jpg
  • Dr Edward Wilson contemplates a  Horse chestnut tree, Cheltenham  in the Long Garden in front of the Municipal Offices. ..In 1910 he joined the famous Captain Scott on his National Antarctic Expedition to the South Pole, but tragically both men died in March 1912 on the return journey...News of Wilsons death reached Cheltenham in February 1913 and a fund was set up to create a memorial to the explorer. The original plan was for two plaques to be hung in the Town Hall but Wilsons widow suggested that as Edward loved the outdoors a more suitable memorial should be erected. The bronze statue shown was modelled by Scotts widow and was unveiled on 9th July 1914 by Arctic explorer Sir Clarence Markham. A display of Wilsons Arctic clothing and kit, as well as some of his artwork, can be found at the Cheltenham Art Gallery and Museum...The inscription on the plinth of the statue reads - "He died as he lived, A brave true man. The best of comrades and the staunchest of friends."
    Cotswold-Way-6-01.jpg
  • Like all other species of flying squirrels, it has a membrane of skin between its legs, which is used to glide between trees. It is characterised by its dark red colouring and large eyes. When compared to other species of squirrels, this species is large, being on average 422mm long. Entire body dark reddish except for black on nose, chin, eye-ring, behind the ears, feet and tail tip
    Sepilok-Sabah-Borneo-27.jpg
  • Like all other species of flying squirrels, it has a membrane of skin between its legs, which is used to glide between trees. It is characterised by its dark red colouring and large eyes. When compared to other species of squirrels, this species is large, being on average 422mm long. Entire body dark reddish except for black on nose, chin, eye-ring, behind the ears, feet and tail tip
    Sepilok-Sabah-Borneo-26.jpg
  • From the series Pripyat: 21 Years After Chernobyl, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    Pripyat-14.jpg
  • A house surrounded by banana plants in Jardim São Marcos favela. Cubatão, Brazil, 2008
    Drawing-Parallels-Quintin-Lake-Page-...jpg
  • From the series “Pripyat: 21 Years After Chernobyl”, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 42x42 & 90x90cm.
    Palace of Culture, Pripyat Ghost Tow..2007
  • Tailani walks down a street in  Cubatão
    Cubatao_QL-72.tif
  • A house surrounded by banana plants in Jardim São Marcos favela, Cubatão
    Cubatao_QL-43.tif
  • Favela built along the old construction road on the escarpment above Cubatão
    Cubatao_QL-19.tif
  • Motorway above the jungle on the approach to Cubatão
    Cubatao_QL-18.tif
  • Palace of Culture, central square and appartment blocks viewed from the terrace of hotel Polissia.
    Pripyat_QL-02.tif
  • From the series “Pripyat: 21 Years After Chernobyl”, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 42x42 & 90x90cm.
    Terrace of Hotel Polissia, Pripyat G..2007
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