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  • Roof of the Sage Gateshead constructed of stainless steel panels with a linen finish to reduce glare. Opened 17 December 2004 Architect: Foster and Partners, Engineer: Buro Happold
    Sage-Gateshead-Roof-11.jpg
  • Roof of the Sage Gateshead constructed of stainless steel panels with a linen finish to reduce glare. Opened 17 December 2004 Architect: Foster and Partners, Engineer: Buro Happold
    Sage-Gateshead-Roof-10.jpg
  • Roof of the Sage Gateshead constructed of stainless steel panels with a linen finish to reduce glare. Opened 17 December 2004 Architect: Foster and Partners, Engineer: Buro Happold
    Sage-Gateshead-Roof-09.jpg
  • Roof of the Sage Gateshead constructed of stainless steel panels with a linen finish to reduce glare. Opened 17 December 2004 Architect: Foster and Partners, Engineer: Buro Happold
    Sage-Gateshead-Roof-05.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-05.jpg
  • Roof of the Sage Gateshead constructed of stainless steel panels with a linen finish to reduce glare. Opened 17 December 2004 Architect: Foster and Partners, Engineer: Buro Happold
    Sage-Gateshead-Roof-12.jpg
  • Roof of the Sage Gateshead constructed of stainless steel panels with a linen finish to reduce glare. Opened 17 December 2004 Architect: Foster and Partners, Engineer: Buro Happold
    Sage-Gateshead-Roof-08.jpg
  • Roof of the Sage Gateshead constructed of stainless steel panels with a linen finish to reduce glare. Opened 17 December 2004 Architect: Foster and Partners, Engineer: Buro Happold
    Sage-Gateshead-Roof-07.jpg
  • Roof of the Sage Gateshead constructed of stainless steel panels with a linen finish to reduce glare. Opened 17 December 2004 Architect: Foster and Partners, Engineer: Buro Happold
    Sage-Gateshead-Roof-06.jpg
  • Roof of the Sage Gateshead constructed of stainless steel panels with a linen finish to reduce glare. Opened 17 December 2004 Architect: Foster and Partners, Engineer: Buro Happold
    Sage-Gateshead-Roof-04.jpg
  • Roof of the Sage Gateshead constructed of stainless steel panels with a linen finish to reduce glare. Opened 17 December 2004 Architect: Foster and Partners, Engineer: Buro Happold
    Sage-Gateshead-Roof-03.jpg
  • Roof of the Sage Gateshead constructed of stainless steel panels with a linen finish to reduce glare. Opened 17 December 2004 Architect: Foster and Partners, Engineer: Buro Happold
    Sage-Gateshead-Roof-02.jpg
  • Roof of the Sage Gateshead constructed of stainless steel panels with a linen finish to reduce glare. Opened 17 December 2004 Architect: Foster and Partners, Engineer: Buro Happold
    Sage-Gateshead-Roof-01.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Detail of abstract reflections of trees in side of spire. Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-11.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Detail of reflections in base of spire next to grass. Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-10.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Detail of reflections in base of spire next to grass. Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-09.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Detail of tip of spire. Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-08.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Detail of tip of spire. Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-07.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Detail of tree reflection in artwork. Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-06.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-04.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-03.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-01.jpg
  • Anish Kapoor, Non Object (Spire) 2008, Stainless steel, 302 x 300 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (barrier and path around artwork digitally removed)
    Anish-Kapoor-Non-Object-Spire-02.jpg
  • Anish Kapoor, C-Curve 2007,Stainless steel, 220 x 770 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-C-Curve-07.jpg
  • Anish Kapoor, C-Curve 2007,Stainless steel, 220 x 770 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-C-Curve-06.jpg
  • Detail he exterior of Walt Disney Concert Hall, Founders room showing polished stainless steel panels
    Walt-Disney-Concert-Hall-12.jpg
  • Detail of the texture of the stainless steel panels of Walt Disney Concert Hall, Los Angeles
    Walt-Disney-Concert-Hall-07.jpg
  • Detail of the texture of the stainless steel panels of Walt Disney Concert Hall, Los Angeles
    Walt-Disney-Concert-Hall-04.jpg
  • Anish Kapoor, C-Curve 2007,Stainless steel, 220 x 770 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-C-Curve-08.jpg
  • Anish Kapoor, C-Curve 2007,Stainless steel, 220 x 770 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-C-Curve-05.jpg
  • Anish Kapoor, C-Curve 2007,Stainless steel, 220 x 770 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-C-Curve-03.jpg
  • Anish Kapoor, C-Curve 2007,Stainless steel, 220 x 770 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (reflection of photographer digitally removed).
    Anish-Kapoor-C-Curve-02.jpg
  • Anish Kapoor, Sky Mirror (Red) 2009, Stainless steel, 274 x 290 x 146 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-Sky-Mirror-Red-03.jpg
  • Anish Kapoor, Sky Mirror (Red) 2009, Stainless steel, 274 x 290 x 146 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-Sky-Mirror-Red-02.jpg
  • Anish Kapoor, Sky Mirror (Red) 2009, Stainless steel, 274 x 290 x 146 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-Sky-Mirror-Red-01.jpg
  • Anish Kapoor, Sky Mirror 2006, Stainless steel,1066.8 x 1066.8 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-Sky-Mirror-07.jpg
  • Anish Kapoor, Sky Mirror 2006, Stainless steel,1066.8 x 1066.8 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-Sky-Mirror-06.jpg
  • Anish Kapoor, Sky Mirror 2006, Stainless steel,1066.8 x 1066.8 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-Sky-Mirror-05.jpg
  • Anish Kapoor, Sky Mirror 2006, Stainless steel,1066.8 x 1066.8 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-Sky-Mirror-04.jpg
  • Anish Kapoor, Sky Mirror 2006, Stainless steel,1066.8 x 1066.8 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-Sky-Mirror-03.jpg
  • Anish Kapoor, Sky Mirror 2006, Stainless steel,1066.8 x 1066.8 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-Sky-Mirror-02.jpg
  • Anish Kapoor, Sky Mirror 2006, Stainless steel,1066.8 x 1066.8 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-Sky-Mirror-01.jpg
  • Blue Sky and Abstract detail of sculptural stainless steel forms of the facade of the Walt Disney Concert Hall, Los Angeles
    Walt-Disney-Concert-Hall-19.jpg
  • Blue Sky and Abstract detail of sculptural stainless steel forms of the facade of the Walt Disney Concert Hall, Los Angeles
    Walt-Disney-Concert-Hall-17.jpg
  • Blue Sky and Abstract detail of sculptural stainless steel forms of the facade of the Walt Disney Concert Hall, Los Angeles
    Walt-Disney-Concert-Hall-16.jpg
  • Blue Sky and Abstract detail of sculptural stainless steel forms of the facade of the Walt Disney Concert Hall, Los Angeles
    Walt-Disney-Concert-Hall-15.jpg
  • Detail he exterior of Walt Disney Concert Hall, Founders room showing polished stainless steel panels
    Walt-Disney-Concert-Hall-11.jpg
  • Detail he exterior of Walt Disney Concert Hall, Founders room showing polished stainless steel panels relected agianst the facade of the main building
    Walt-Disney-Concert-Hall-09.jpg
  • Detail the curved and folded exterior of stainless steel panels of Walt Disney Concert Hall, Los Angeles
    Walt-Disney-Concert-Hall-08.jpg
  • Detail of the abstract forms of the stainless steel panels that make up the facade of Walt Disney Concert Hall, Los Angeles
    Walt-Disney-Concert-Hall-06.jpg
  • Detail of the texture of the stainless steel panels of Walt Disney Concert Hall, Los Angeles
    Walt-Disney-Concert-Hall-05.jpg
  • Detail of the abstract forms of the stainless steel panels that make up the facade of Walt Disney Concert Hall, Los Angeles
    Walt-Disney-Concert-Hall-03.jpg
  • Detail of the abstract forms of the stainless steel panels that make up the facade of Walt Disney Concert Hall, Los Angeles
    Walt-Disney-Concert-Hall-02.jpg
  • Detail of the abstract forms of the stainless steel panels that make up the facade of Walt Disney Concert Hall, Los Angeles
    Walt-Disney-Concert-Hall-01.jpg
  • Angel of the North is a modern sculpture designed by Antony Gormley in 1994, which is located in Gateshead, United Kingdom. As the name suggests, it is a steel sculpture of an angel, standing 66 feet (20 metres) tall, with wings measuring 178 feet (54 metres) across ? making it wider than the Statue of Liberty's height. The wings themselves are not planar, but are angled 3.5 degrees forward, which Gormley has said aims to create "a sense of embrace". It stands on a hill, on the southern edge of Low Fell overlooking the A1 road and the A167 road into Tyneside and the East Coast Main Line rail route. It has now come to be considered by some as a landmark for the North East of England and is one of the 12 official 'Icons of England'.
    125_2549.tif
  • Angel of the North is a modern sculpture designed by Antony Gormley in 1994, which is located in Gateshead, United Kingdom. As the name suggests, it is a steel sculpture of an angel, standing 66 feet (20 metres) tall, with wings measuring 178 feet (54 metres) across ? making it wider than the Statue of Liberty's height. The wings themselves are not planar, but are angled 3.5 degrees forward, which Gormley has said aims to create "a sense of embrace". It stands on a hill, on the southern edge of Low Fell overlooking the A1 road and the A167 road into Tyneside and the East Coast Main Line rail route. It has now come to be considered by some as a landmark for the North East of England and is one of the 12 official 'Icons of England'.
    125_2542.tif
  • Angel of the North is a modern sculpture designed by Antony Gormley in 1994, which is located in Gateshead, United Kingdom. As the name suggests, it is a steel sculpture of an angel, standing 66 feet (20 metres) tall, with wings measuring 178 feet (54 metres) across ? making it wider than the Statue of Liberty's height. The wings themselves are not planar, but are angled 3.5 degrees forward, which Gormley has said aims to create "a sense of embrace". It stands on a hill, on the southern edge of Low Fell overlooking the A1 road and the A167 road into Tyneside and the East Coast Main Line rail route. It has now come to be considered by some as a landmark for the North East of England and is one of the 12 official 'Icons of England'.
    125_2538.tif
  • Angel of the North is a modern sculpture designed by Antony Gormley in 1994, which is located in Gateshead, United Kingdom. As the name suggests, it is a steel sculpture of an angel, standing 66 feet (20 metres) tall, with wings measuring 178 feet (54 metres) across ? making it wider than the Statue of Liberty's height. The wings themselves are not planar, but are angled 3.5 degrees forward, which Gormley has said aims to create "a sense of embrace". It stands on a hill, on the southern edge of Low Fell overlooking the A1 road and the A167 road into Tyneside and the East Coast Main Line rail route. It has now come to be considered by some as a landmark for the North East of England and is one of the 12 official 'Icons of England'.
    125_2534.tif
  • Angel of the North is a modern sculpture designed by Antony Gormley in 1994, which is located in Gateshead, United Kingdom. As the name suggests, it is a steel sculpture of an angel, standing 66 feet (20 metres) tall, with wings measuring 178 feet (54 metres) across ? making it wider than the Statue of Liberty's height. The wings themselves are not planar, but are angled 3.5 degrees forward, which Gormley has said aims to create "a sense of embrace". It stands on a hill, on the southern edge of Low Fell overlooking the A1 road and the A167 road into Tyneside and the East Coast Main Line rail route. It has now come to be considered by some as a landmark for the North East of England and is one of the 12 official 'Icons of England'.
    125_2528.tif
  • Anish Kapoor, C-Curve 2007,Stainless steel, 220 x 770 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-C-Curve-04.jpg
  • Anish Kapoor, C-Curve 2007,Stainless steel, 220 x 770 x 300 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011 (reflection of photographer digitally removed).
    Anish-Kapoor-C-Curve-01.jpg
  • Anish Kapoor, Sky Mirror (Red) 2009, Stainless steel, 274 x 290 x 146 cm. Installation view of Serpentine Gallery exhibition Turning the World Upside Down, Kensington Gardens, London 28 September 2010 - 13 March 2011
    Anish-Kapoor-Sky-Mirror-Red-04.jpg
  • Blue Sky and Abstract detail of sculptural stainless steel forms of the facade of the Walt Disney Concert Hall, Los Angeles
    Walt-Disney-Concert-Hall-18.jpg
  • Detail he exterior of Walt Disney Concert Hall, Founders room showing polished stainless steel panels
    Walt-Disney-Concert-Hall-10.jpg
  • Angel of the North is a modern sculpture designed by Antony Gormley in 1994, which is located in Gateshead, United Kingdom. As the name suggests, it is a steel sculpture of an angel, standing 66 feet (20 metres) tall, with wings measuring 178 feet (54 metres) across ? making it wider than the Statue of Liberty's height. The wings themselves are not planar, but are angled 3.5 degrees forward, which Gormley has said aims to create "a sense of embrace". It stands on a hill, on the southern edge of Low Fell overlooking the A1 road and the A167 road into Tyneside and the East Coast Main Line rail route. It has now come to be considered by some as a landmark for the North East of England and is one of the 12 official 'Icons of England'.
    125_2539.tif
  • Angel of the North is a modern sculpture designed by Antony Gormley in 1994, which is located in Gateshead, United Kingdom. As the name suggests, it is a steel sculpture of an angel, standing 66 feet (20 metres) tall, with wings measuring 178 feet (54 metres) across ? making it wider than the Statue of Liberty's height. The wings themselves are not planar, but are angled 3.5 degrees forward, which Gormley has said aims to create "a sense of embrace". It stands on a hill, on the southern edge of Low Fell overlooking the A1 road and the A167 road into Tyneside and the East Coast Main Line rail route. It has now come to be considered by some as a landmark for the North East of England and is one of the 12 official 'Icons of England'.
    125_2533.tif
  • Architect: Frank Gehry. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    facade-14.jpg
  • Sage Gateshead seen below the Tyne Bridge over the river Tyne, Newcastle
    Sage-Gateshead-Roof-13.jpg
  • Elevation view of Walt Disney Concert Hall, Los Angeles from Grand Avenue; the Dorothy Chandler Pavilion is to the right in the rear.
    Walt-Disney-Concert-Hall-29.jpg
  • Elevation view of Walt Disney Concert Hall, Los Angeles from Grand Avenue; the Dorothy Chandler Pavilion is to the right in the rear.
    Walt-Disney-Concert-Hall-26.jpg
  • Elevation view of Walt Disney Concert Hall, Los Angeles from Grand Avenue; the Dorothy Chandler Pavilion is to the right in the rear.
    Walt-Disney-Concert-Hall-24.jpg
  • Elevation view of Walt Disney Concert Hall, Los Angeles from Grand Avenue; the Dorothy Chandler Pavilion is to the right in the rear.
    Walt-Disney-Concert-Hall-23.jpg
  • Entrance view view of Walt Disney Concert Hall, Los Angeles
    Walt-Disney-Concert-Hall-22.jpg
  • Elevation view of Walt Disney Concert Hall from the northeast across Grand Avenue; the Bank of America Center is to the left in the rear
    Walt-Disney-Concert-Hall-20.jpg
  • Tree & parking meter in front of  Walt Disney Concert Hall, Los Angeles
    Walt-Disney-Concert-Hall-13.jpg
  • The Eames House or Case Study House No. 8, by Charles and Ray Eames Los Angeles, California
    Eames-House-07.jpg
  • The Eames House or Case Study House No. 8, by Charles and Ray Eames Los Angeles, California
    Eames-House-06.jpg
  • The Eames House or Case Study House No. 8, by Charles and Ray Eames Los Angeles, California
    Eames-House-04.jpg
  • Tyne Bridge over the river Tyne, Newcastle with view to Gateshead Millennium Bridge, The Baltic Centre for Contemporary Art and Sage Gateshead
    Sage-Gateshead-Roof-14.jpg
  • Elevation view of Walt Disney Concert Hall, Los Angeles from Grand Avenue; the Dorothy Chandler Pavilion is to the right in the rear.
    Walt-Disney-Concert-Hall-30.jpg
  • Elevation view of Walt Disney Concert Hall, Los Angeles from Grand Avenue; the Dorothy Chandler Pavilion is to the right in the rear.
    Walt-Disney-Concert-Hall-28.jpg
  • Elevation view of Walt Disney Concert Hall, Los Angeles from Grand Avenue; the Dorothy Chandler Pavilion is to the right in the rear.
    Walt-Disney-Concert-Hall-27.jpg
  • Elevation view of Walt Disney Concert Hall, Los Angeles from Grand Avenue; the Dorothy Chandler Pavilion is to the right in the rear.
    Walt-Disney-Concert-Hall-25.jpg
  • Entrance view view of Walt Disney Concert Hall, Los Angeles
    Walt-Disney-Concert-Hall-21.jpg
  • Tree & parking meter in front of  Walt Disney Concert Hall, Los Angeles
    Walt-Disney-Concert-Hall-14.jpg
  • The Eames House or Case Study House No. 8, by Charles and Ray Eames Los Angeles, California
    Eames-House-09.jpg
  • The Eames House or Case Study House No. 8, by Charles and Ray Eames Los Angeles, California
    Eames-House-08.jpg
  • The Eames House or Case Study House No. 8, by Charles and Ray Eames Los Angeles, California
    Eames-House-05.jpg
  • The Eames House or Case Study House No. 8, by Charles and Ray Eames Los Angeles, California
    Eames-House-03.jpg
  • The Eames House or Case Study House No. 8, by Charles and Ray Eames Los Angeles, California
    Eames-House-02.jpg
  • The Eames House or Case Study House No. 8, by Charles and Ray Eames Los Angeles, California
    Eames-House-01.jpg
  • Blast furnaces of Vítkovice Iron and Steel Works, Ostrava, Czech Republic. .This site has been declared an Industrial Heritage Site by the Ministry of Culture and is a unique example of industrial architecture from the first half of the 19th century. The site was occupied by a puddle furnace from 1828. It was founded by archduke Rudolf and was the first one of its kind in the entire Austrian Empire. The first blast furnace began production in 1836, and the Hlubina coal mine was opened in 1843. Soon the site provided for an entire industrial process from start to finish, from the mining of coal as a raw material, through the manufacture of coke, to its use in the production of iron.This continued uninterrupted until 1998.
    Vítkovice-Iron-and-Steel-Works-Ostra...jpg
  • Blast furnaces of Vítkovice Iron and Steel Works, Ostrava, Czech Republic. .This site has been declared an Industrial Heritage Site by the Ministry of Culture and is a unique example of industrial architecture from the first half of the 19th century. The site was occupied by a puddle furnace from 1828. It was founded by archduke Rudolf and was the first one of its kind in the entire Austrian Empire. The first blast furnace began production in 1836, and the Hlubina coal mine was opened in 1843. Soon the site provided for an entire industrial process from start to finish, from the mining of coal as a raw material, through the manufacture of coke, to its use in the production of iron.This continued uninterrupted until 1998.
    Vítkovice-Iron-and-Steel-Works-Ostra...jpg
  • Dumping dangerous and inflammable materials forbidden. Blast furnaces of Vítkovice Iron and Steel Works, Ostrava, Czech Republic. .This site has been declared an Industrial Heritage Site by the Ministry of Culture and is a unique example of industrial architecture from the first half of the 19th century. The site was occupied by a puddle furnace from 1828. It was founded by archduke Rudolf and was the first one of its kind in the entire Austrian Empire. The first blast furnace began production in 1836, and the Hlubina coal mine was opened in 1843. Soon the site provided for an entire industrial process from start to finish, from the mining of coal as a raw material, through the manufacture of coke, to its use in the production of iron.This continued uninterrupted until 1998.
    Vítkovice-Iron-and-Steel-Works-Ostra...jpg
  • Blast furnaces of Vítkovice Iron and Steel Works, Ostrava, Czech Republic. .This site has been declared an Industrial Heritage Site by the Ministry of Culture and is a unique example of industrial architecture from the first half of the 19th century. The site was occupied by a puddle furnace from 1828. It was founded by archduke Rudolf and was the first one of its kind in the entire Austrian Empire. The first blast furnace began production in 1836, and the Hlubina coal mine was opened in 1843. Soon the site provided for an entire industrial process from start to finish, from the mining of coal as a raw material, through the manufacture of coke, to its use in the production of iron.This continued uninterrupted until 1998.
    Vítkovice-Iron-and-Steel-Works-Ostra...jpg
  • Blast furnaces of Vítkovice Iron and Steel Works, Ostrava, Czech Republic. .This site has been declared an Industrial Heritage Site by the Ministry of Culture and is a unique example of industrial architecture from the first half of the 19th century. The site was occupied by a puddle furnace from 1828. It was founded by archduke Rudolf and was the first one of its kind in the entire Austrian Empire. The first blast furnace began production in 1836, and the Hlubina coal mine was opened in 1843. Soon the site provided for an entire industrial process from start to finish, from the mining of coal as a raw material, through the manufacture of coke, to its use in the production of iron.This continued uninterrupted until 1998.
    Vítkovice-Iron-and-Steel-Works-Ostra...jpg
  • Blast furnaces of Vítkovice Iron and Steel Works, Ostrava, Czech Republic. .This site has been declared an Industrial Heritage Site by the Ministry of Culture and is a unique example of industrial architecture from the first half of the 19th century. The site was occupied by a puddle furnace from 1828. It was founded by archduke Rudolf and was the first one of its kind in the entire Austrian Empire. The first blast furnace began production in 1836, and the Hlubina coal mine was opened in 1843. Soon the site provided for an entire industrial process from start to finish, from the mining of coal as a raw material, through the manufacture of coke, to its use in the production of iron.This continued uninterrupted until 1998.
    Vítkovice-Iron-and-Steel-Works-Ostra...jpg
  • Blast furnaces of Vítkovice Iron and Steel Works, Ostrava, Czech Republic. .This site has been declared an Industrial Heritage Site by the Ministry of Culture and is a unique example of industrial architecture from the first half of the 19th century. The site was occupied by a puddle furnace from 1828. It was founded by archduke Rudolf and was the first one of its kind in the entire Austrian Empire. The first blast furnace began production in 1836, and the Hlubina coal mine was opened in 1843. Soon the site provided for an entire industrial process from start to finish, from the mining of coal as a raw material, through the manufacture of coke, to its use in the production of iron.This continued uninterrupted until 1998.
    Vítkovice-Iron-and-Steel-Works-Ostra...jpg
  • Blast furnaces of Vítkovice Iron and Steel Works, Ostrava, Czech Republic. .This site has been declared an Industrial Heritage Site by the Ministry of Culture and is a unique example of industrial architecture from the first half of the 19th century. The site was occupied by a puddle furnace from 1828. It was founded by archduke Rudolf and was the first one of its kind in the entire Austrian Empire. The first blast furnace began production in 1836, and the Hlubina coal mine was opened in 1843. Soon the site provided for an entire industrial process from start to finish, from the mining of coal as a raw material, through the manufacture of coke, to its use in the production of iron.This continued uninterrupted until 1998.
    Vítkovice-Iron-and-Steel-Works-Ostra...jpg
  • Blast furnaces of Vítkovice Iron and Steel Works, Ostrava, Czech Republic. .This site has been declared an Industrial Heritage Site by the Ministry of Culture and is a unique example of industrial architecture from the first half of the 19th century. The site was occupied by a puddle furnace from 1828. It was founded by archduke Rudolf and was the first one of its kind in the entire Austrian Empire. The first blast furnace began production in 1836, and the Hlubina coal mine was opened in 1843. Soon the site provided for an entire industrial process from start to finish, from the mining of coal as a raw material, through the manufacture of coke, to its use in the production of iron.This continued uninterrupted until 1998.
    Vítkovice-Iron-and-Steel-Works-Ostra...jpg
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