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  • A boy by a sign outside  his home, Cubatão
    Cubatao_QL-49.tif
  • Warning sign against eating fruit or drinking water in the jungle due to pollution from the factories, Cubatão
    Cubatao_QL-28.tif
  • From the series “Pripyat: 21 Years After Chernobyl”, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 42x42 & 90x90cm.
    Hospital reception, Pripyat Ghost To..2007
  • Early morning sun in the Puna at approx 4000m in the Andes mountains
    IOH_Document_QL-24.tif
  • "CD's, Soft drinks, Ice" Quincemil adjacent to the Interoceanic Highway
    IOH_Document_QL-19.tif
  • Hospital reception with doctor's appointment boards.
    Pripyat_QL-13.tif
  • "The manor", Church Street in the village of Wanlockhead, Dumfries and Galloway, Scotland. The sign on the wall says The Manor, the date above the door is 1989.
    Southern-Uplands-Buildings-12.jpg
  • Rear of a road sign at the A40 , A436 roundabout at Seven Springs, Gloucestershire
    Cotswold-Way-Day-7-26.jpg
  • Cotswold way finger post sign, waymarked with a National Trail Acorn, near Charlton Kings in Gloucestershire, England.
    Cotswold-Way-England-8-20.jpg
  • Represented landscape. The sign at Coaley peak indicating points of interest with views across the Severn valley to the Brecon Beacons in Wale in the Distance
    Cotswold-Way-England04-07.jpg
  • "The manor", Church Street in the village of Wanlockhead, Dumfries and Galloway, Scotland. The sign on the wall says The Manor, the date above the door is 1989.
    Southern-Uplands-Buildings-13.jpg
  • Carved fence post with Cotswold way public footpath sign at the entrance to Upper Colgate Farm near Charlton Kings in Gloucestershire, England.
    Cotswold-Way-England-8-19.jpg
  • Cotswold stone coloured Neighbourhood watch sign by a new housing development, North Nibley
    Cotswold_Way_England-30.jpg
  • Painted Tin Hats & Gas Masks? sign in a WWII anti-aircraft position, Mellon Charles by Loch Ewe, Scotland.
    292-Aultbea-GreenstonePoint-08.jpg
  • Cast iron road sign by the Solway, Easton, Cumbria.
    Cumbria-Print-Collection-05.jpg
  • Cast iron road sign by the Solway, Easton, Cumbria.
    172-Bowness-on-Solway-Carlisle-01.jpg
  • Coast to Coast XXII. Road sign near Robin Hood's Bay
    Coast-to-Coast-Walk-22.jpg
  • Sign on rear elevation. Post Office Savings Bank, Vienna, Austria 1904-12 Architect: Otto Wagner
    Postsparkasse-08.jpg
  • Scull and cross bones Halt sign in front of fence at Auschwitz I Extermination Camp
    Auschwitz-I-06.jpg
  • Caution High Voltage Sign (German: Vorsicht Hochspannung Lebensgefhr) on the electrified perimeter fence and accommodation blocks at Auschwitz I Extermination Camp
    Auschwitz-I-01.jpg
  • Interior of borders bookstore after closure showing empty book shelves, Borders sign, display tables and shopping baskets. Borders bookstore in Oxford is one of 45 stores in the UK to close all its branches in the UK on 22 December. The chain went into administration earlier this month and had kept open all its stores while it attempted to find a buyer. Administrators MCR said all 45 Borders and Books Etc stores would close on 22 December. Borders has suffered from increased competition from online retailers and supermarkets. Borders employed 1,150 people in total. MCR has previously said Borders had "severe cash flow pressures" and that several suppliers had stopped or reduced its credit, which made suppliers less willing to trade with the retailer and made it difficult for it to replenish its stock levels.
    Borders_Bookstore_Oxford_Closure-1.jpg
  • Concrete entrance sign to Pripyat. Now a memorial, it is surrounded by a steel chain  and plastic flowers.
    Pripyat_QL-01.tif
  • USSR sign and tractor  in Sculpture Park Moscow, Russia, 2007
    IMG_0870.jpg
  • Ben MacGregor, retired Dounreay engineer & nuclear physicist, signing the visitors book at Freisgill Bothy having just kayaked around the Whiten Head sea caves. Mhoine Peninsula, Sutherland, Scotland.
    313-Inverhope-Achininver-07.jpg
  • Painted signs from WWII indicating different grades of gun oil from an anti-aircraft position, Mellon Charles by Loch Ewe, Scotland.
    292-Aultbea-GreenstonePoint-10.jpg
  • I’ve always found these deer warning signs evocative of the wild out there, but this one also has barely visible magical stars in the white background that I only just noticed while editing the photo. Road to Laxford Bay, Sutherland, Scotland.
    306-Scourie-Ardmore-18.jpg
  • Villagers gather as a government official signs off thumbprints (due to illiteracy) of an elderly couple for the Malaysia census 2010 Nabalu, Sabah
    Nabalu-Sabah-06.jpg
  • From the series “Pripyat: 21 Years After Chernobyl”, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 42x42 & 90x90cm.
    Pripyat Ghost Town Entrance Sign, Ch..2007
  • From the Western Desert series based on a walk through the Black & White Deserts, Egypt, 2013. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    DesertRadiance-21.jpg
  • From the series Iranian Symmetry, 2008, inspired by the exquisite geometry of traditional Iranian architecture. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    Iransymm-04.jpg
  • From the series British Infrastructure, which celebrates the quiet engineering miracles that supply and connect modern society. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    Infrastructure-09.jpg
  • From the series British Infrastructure, which celebrates the quiet engineering miracles that supply and connect modern society. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    Infrastructure-07.jpg
  • Architects: Renzo Piano Building Workshop with Fletcher Priest. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    facade-15.jpg
  • From the River Severn series, based on walking 360km from the source of the River Severn to the sea, 2015. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    27-Severn-Caldicot-Chepstow-QJEL-03.jpg
  • From the River Severn series, based on walking 360km from the source of the River Severn to the sea, 2015. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    23-Severn-Chepstow-and-Lydney-QJEL-1...jpg
  • From the Namibian Radiance series based on sun baked walks and cool, star filled nights in the Namibian desert, 2014. Signed and editioned prints available at 59x21cm, 110x40cm & 155x55cm.
    DesertRadiance-41.jpg
  • From the Namibian Radiance series based on sun baked walks and cool, star filled nights in the Namibian desert, 2014. Signed and editioned prints available at 59x21cm, 110x40cm & 155x55cm.
    DesertRadiance-37.jpg
  • From the Namibian Radiance series based on sun baked walks and cool, star filled nights in the Namibian desert, 2014. Signed and editioned prints available at 59x21cm, 110x40cm & 155x55cm.
    DesertRadiance-36.jpg
  • From the Namibian Radiance series based on sun baked walks and cool, star filled nights in the Namibian desert, 2014. Signed and editioned prints available at 59x21cm, 110x40cm & 155x55cm.
    DesertRadiance-33.jpg
  • From the Namibian Radiance series based on sun baked walks and cool, star filled nights in the Namibian desert, 2014. Signed and editioned prints available at 59x21cm, 110x40cm & 155x55cm.
    DesertRadiance-35.jpg
  • From the Namibian Radiance series based on sun baked walks and cool, star filled nights in the Namibian desert, 2014. Signed and editioned prints available at 59x21cm, 110x40cm & 155x55cm.
    DesertRadiance-31.jpg
  • From the Namibian Radiance series based on sun baked walks and cool, star filled nights in the Namibian desert, 2014. Signed and editioned prints available at 59x21cm, 110x40cm & 155x55cm.
    DesertRadiance-29.jpg
  • From the Namibian Radiance series based on sun baked walks and cool, star filled nights in the Namibian desert, 2014. Signed and editioned prints available at 59x21cm, 110x40cm & 155x55cm.
    DesertRadiance-28.jpg
  • From the Western Desert series based on a walk through the Black & White Deserts, Egypt, 2013. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    DesertRadiance-23.jpg
  • From the Western Desert series based on a walk through the Black & White Deserts, Egypt, 2013. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    DesertRadiance-22.jpg
  • From the Sahara Sands series exploring the abstraction of ephemeral textures in the Western Desert, Egypt, 2013. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    DesertRadiance-18.jpg
  • From the Western Desert series based on a walk through the Black & White Deserts, Egypt, 2013. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    DesertRadiance-20.jpg
  • From the Sahara Sands series exploring the abstraction of ephemeral textures in the Western Desert, Egypt, 2013. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    DesertRadiance-16.jpg
  • From the Sahara Sands series exploring the abstraction of ephemeral textures in the Western Desert, Egypt, 2013. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    DesertRadiance-15.jpg
  • From the Sahara Sands series exploring the abstraction of ephemeral textures in the Western Desert, Egypt, 2013. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    DesertRadiance-13.jpg
  • From the Sahara Sands series exploring the abstraction of ephemeral textures in the Western Desert, Egypt, 2013. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    DesertRadiance-10.jpg
  • From the Sahara Sands series exploring the abstraction of ephemeral textures in the Western Desert, Egypt, 2013. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    DesertRadiance-07.jpg
  • From the Sahara Sands series exploring the abstraction of ephemeral textures in the Western Desert, Egypt, 2013. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    DesertRadiance-09.jpg
  • From the Sahara Sands series exploring the abstraction of ephemeral textures in the Western Desert, Egypt, 2013. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    DesertRadiance-08.jpg
  • From the Sahara Sands series exploring the abstraction of ephemeral textures in the Western Desert, Egypt, 2013. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    DesertRadiance-05.jpg
  • From the Sahara Sands series exploring the abstraction of ephemeral textures in the Western Desert, Egypt, 2013. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    DesertRadiance-06.jpg
  • From the Valley of the Moon series based on walks in Wadi Rum, Jordan, 2013. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    DesertRadiance-03.jpg
  • From the Valley of the Moon series based on walks in Wadi Rum, Jordan, 2013. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    DesertRadiance-02.jpg
  • From the Valley of the Moon series based on walks in Wadi Rum, Jordan, 2013. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    DesertRadiance-01.jpg
  • From the Forest Seasons series based on singular walks through temperate woodlands and tropical forests. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    forest2-03.jpg
  • From the series Pripyat: 21 Years After Chernobyl, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    Pripyat-20.jpg
  • From the series Pripyat: 21 Years After Chernobyl, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    Pripyat-19.jpg
  • From the series Pripyat: 21 Years After Chernobyl, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    Pripyat-17.jpg
  • From the series Pripyat: 21 Years After Chernobyl, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    Pripyat-18.jpg
  • From the series Pripyat: 21 Years After Chernobyl, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    Pripyat-16.jpg
  • From the ongoing series Human Habitats, which portrays telling moments when the figure is framed by the environment. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    HumanHabitat-14.jpg
  • From the ongoing series Human Habitats, which portrays telling moments when the figure is framed by the environment. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    HumanHabitat-09.jpg
  • From the ongoing series Human Habitats, which portrays telling moments when the figure is framed by the environment. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    HumanHabitat-02.jpg
  • From the ongoing series Human Habitats, which portrays telling moments when the figure is framed by the environment. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    HumanHabitat-22.jpg
  • From the ongoing series Human Habitats, which portrays telling moments when the figure is framed by the environment. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    HumanHabitat-20.jpg
  • From the ongoing series Human Habitats, which portrays telling moments when the figure is framed by the environment. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    HumanHabitat-18.jpg
  • From the ongoing series Human Habitats, which portrays telling moments when the figure is framed by the environment. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    HumanHabitat-16.jpg
  • From the ongoing series Human Habitats, which portrays telling moments when the figure is framed by the environment. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    HumanHabitat-12.jpg
  • From the ongoing series Human Habitats, which portrays telling moments when the figure is framed by the environment. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    HumanHabitat-07.jpg
  • From the ongoing series Human Habitats, which portrays telling moments when the figure is framed by the environment. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    HumanHabitat-06.jpg
  • From the ongoing series Human Habitats, which portrays telling moments when the figure is framed by the environment. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    HumanHabitat-05.jpg
  • From the series Invisible Gods, 2013, based on the spaces between the fragments of the Pergamon Altar, Berlin, Germany. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    Invisblegods-08.jpg
  • From the series Invisible Gods, 2013, based on the spaces between the fragments of the Pergamon Altar, Berlin, Germany. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    Invisblegods-06.jpgd
  • From the series Invisible Gods, 2013, based on the spaces between the fragments of the Pergamon Altar, Berlin, Germany. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    Invisblegods-05.jpg
  • From the series Invisible Gods, 2013, based on the spaces between the fragments of the Pergamon Altar, Berlin, Germany. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    Invisblegods-04.jpg
  • From the series Invisible Gods, 2013, based on the spaces between the fragments of the Pergamon Altar, Berlin, Germany. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    Invisblegods-01.jpg
  • From the series Invisible Gods, 2013, based on the spaces between the fragments of the Pergamon Altar, Berlin, Germany. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    Invisblegods-02.jpg
  • From the series Faceless Icons, 2011. Damaged, burnt and defaced icons from the Alexander Nevsky Crypt in Sofia, Bulgaria. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    brokenIcons-06.jpg
  • From the series Faceless Icons, 2011. Damaged, burnt and defaced icons from the Alexander Nevsky Crypt in Sofia, Bulgaria. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    brokenIcons-04.jpg
  • From the series Faceless Icons, 2011. Damaged, burnt and defaced icons from the Alexander Nevsky Crypt in Sofia, Bulgaria. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    brokenIcons-01.jpg
  • From the series Faceless Icons, 2011. Damaged, burnt and defaced icons from the Alexander Nevsky Crypt in Sofia, Bulgaria. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    brokenIcons-03.jpg
  • From the series Faceless Icons, 2011. Damaged, burnt and defaced icons from the Alexander Nevsky Crypt in Sofia, Bulgaria. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    brokenIcons-02.jpg
  • From the series Spaces of Fear: Heyford, 2014. During the Cold War RAF Upper Heyford was a Quick Reaction Alert Facility where crews sat for four hour shifts in nuclear-armed F-111 bombers, engines running in the middle of the Oxfordshire countryside ready to respond to any Soviet threat at a moments notice. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    RAFUpperHeyford-07.jpg
  • From the series Spaces of Fear: Heyford, 2014. During the Cold War RAF Upper Heyford was a Quick Reaction Alert Facility where crews sat for four hour shifts in nuclear-armed F-111 bombers, engines running in the middle of the Oxfordshire countryside ready to respond to any Soviet threat at a moments notice. Signed and editioned prints available at 42x42cm, 80x80cm & 110x110cm.
    RAFUpperHeyford-06.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-12.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-13.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-10.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-09.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-08.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-07.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-04.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-05.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-02.jpg
  • From the series Iranian Symmetry, 2008, inspired by the exquisite geometry of traditional Iranian architecture. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    Iransymm-08.jpg
  • From the series Iranian Symmetry, 2008, inspired by the exquisite geometry of traditional Iranian architecture. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    Iransymm-07.jpg
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