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  • Television in a traditional pastel house  in Cota 200 favela, Cubatão
    Cubatao_QL-60.tif
  • From the series Greenland: Light & Ice based on an expedition to Knud Rasmussens Land, East Greenland. Winner Travel Photographer of the Year Portfolio, 2010. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    Greenland-25.jpg
  • From the series Greenland: Light & Ice based on an expedition to Knud Rasmussens Land, East Greenland. Winner Travel Photographer of the Year Portfolio, 2010. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    Greenland-13.jpg
  • Arctic night during a British mountaineering expedition to Knud Rasmussens Land, East Greenland, Arctic, 2006.
    Greenland-25.tif
  • The pink and blue skies of an arctic night during a British mountaineering expedition to Knud Rasmussens Land, East Greenland, Arctic, 2006.
    Greenland-13.tif
  • Pastel Coloured Horse jumps in a field of buttercups and dandelions at Ravensgate Hill in Gloucestershire, England.
    Cotswold-Way-England-8-15.jpg
  • Pastel bike, Ebbw River, Newport, Gwent.
    097-Newport-Cardiff-11.jpg
  • GSW Headquarters, Berlin, Germany. The windows are polychromatic pastel hues of orange and rose when the window shades are closed. Built 1999. Architect: Sauerbruch Hutton
    GSW-Headquarters-Berlin-QJEL-1.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-12.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-09.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-08.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-07.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-05.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-13.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-10.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-04.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-03.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-01.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-11.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-06.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-02.jpg
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