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  • Light switches in a bedroom of Hotel Polissia. The peeling paint is the result of 21 years decay.
    Pripyat_QL-05.tif
  • Decayed leaf on the floor of the jungle, Cubatão
    Cubatao_QL-53.tif
  • Looted department store next to central square. The floor is covered with decayed ceiling tiles and strip lights.
    Pripyat_QL-10.tif
  • From the series Pripyat: 21 Years After Chernobyl, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    Pripyat-16.jpg
  • From the series “Pripyat: 21 Years After Chernobyl”, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 42x42 & 90x90cm.
    Switches in Hotel Polissia, Pripyat ..2007
  • From the series Pripyat: 21 Years After Chernobyl, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    Pripyat-19.jpg
  • From the series Pripyat: 21 Years After Chernobyl, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    Pripyat-17.jpg
  • From the series Pripyat: 21 Years After Chernobyl, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    Pripyat-18.jpg
  • Lightswitch in a bedroom of the Hotel Polissia 21 years after the Chernobyl.disaster. Pripiat, Ukraine, 2007
    Drawing-Parallels-Quintin-Lake-Page-...jpg
  • Gymnasium, 21 years after the Chernobyl disaster. Pripiat, Ukraine, 2007
    Drawing-Parallels-Quintin-Lake-Page-...jpg
  • From the series “Pripyat: 21 Years After Chernobyl”, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 42x42 & 90x90cm.
    Hospital waiting room, Pripyat Ghost..2007
  • From the series “Pripyat: 21 Years After Chernobyl”, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 42x42 & 90x90cm.
    Supermarket, Pripyat Ghost Town, Che..2007
  • From the series “Pripyat: 21 Years After Chernobyl”, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 42x42 & 90x90cm.
    Palace of Culture Theatre, Pripyat G..2007
  • From the series “Pripyat: 21 Years After Chernobyl”, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 42x42 & 90x90cm.
    Palace of Culture, Pripyat Ghost Tow..2007
  • Concert hall with water damaged soviet relief sculpture and piano.
    Pripyat_QL-15.tif
  • Hospital waiting room with discarded pot plant.
    Pripyat_QL-14.tif
  • Palace of Culture Theatre prop room with paintings of Lenin and dignitories.
    Pripyat_QL-07.tif
  • Palace of Culture, central square and appartment blocks viewed from the terrace of hotel Polissia.
    Pripyat_QL-02.tif
  • From the series Pripyat: 21 Years After Chernobyl, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    Pripyat-21.jpg
  • From the series Pripyat: 21 Years After Chernobyl, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    Pripyat-20.jpg
  • From the series Pripyat: 21 Years After Chernobyl, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    Pripyat-15.jpg
  • From the series Pripyat: 21 Years After Chernobyl, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    Pripyat-14.jpg
  • Concert hall with water-damaged Soviet relief sculpture and piano. Pripiat, Ukraine, 2007
    Drawing-Parallels-Quintin-Lake-Page-...jpg
  • A silver birch tree growing through the floor on the terrace of the Hotel Polissia 21 years after the Chernobyl disaster. Pripiat, Ukraine, 2007
    Drawing-Parallels-Quintin-Lake-Page-...jpg
  • From the series “Pripyat: 21 Years After Chernobyl”, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 42x42 & 90x90cm.
    Lenin with dead plant, Pripyat Ghost..2007
  • From the series “Pripyat: 21 Years After Chernobyl”, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 42x42 & 90x90cm.
    Concert Hall, Pripyat Ghost Town, Ch..2007
  • From the series “Pripyat: 21 Years After Chernobyl”, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 42x42 & 90x90cm.
    Hospital reception, Pripyat Ghost To..2007
  • From the series “Pripyat: 21 Years After Chernobyl”, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 42x42 & 90x90cm.
    Gymnasium, Pripyat Ghost Town, Chern..2007
  • From the series “Pripyat: 21 Years After Chernobyl”, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 42x42 & 90x90cm.
    Children's gas masks, Pripyat Ghost ..2007
  • From the series “Pripyat: 21 Years After Chernobyl”, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 42x42 & 90x90cm.
    Exercise books on a classroom floor,..2007
  • From the series “Pripyat: 21 Years After Chernobyl”, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 42x42 & 90x90cm.
    Palace of Culture back stage, Pripya..2007
  • From the series “Pripyat: 21 Years After Chernobyl”, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 42x42 & 90x90cm.
    Pripyat Ghost Town Entrance Sign, Ch..2007
  • Drawing of Lenin with dead house plant in the hospital.
    Pripyat_QL-16.tif
  • Hospital reception with doctor's appointment boards.
    Pripyat_QL-13.tif
  • Single shoe, glazing gaskets, book and broom on floor of Department Store.
    Pripyat_QL-11.tif
  • Exercise books and broken glass on a classroom floor.
    Pripyat_QL-08.tif
  • The looted seating area in the Palace of Culture theatre.
    Pripyat_QL-06.tif
  • A silver birch tree grows through the floor on the terrace of Hotel Polissia. The hammer and sickle is visible atop the distant apartments.
    Pripyat_QL-04.tif
  • Lobby of Hotel Polissia. The check-in desk is in the background. Marble wall cladding has been removed by looters.
    Pripyat_QL-03.tif
  • Concrete entrance sign to Pripyat. Now a memorial, it is surrounded by a steel chain  and plastic flowers.
    Pripyat_QL-01.tif
  • From the series “Pripyat: 21 Years After Chernobyl”, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 42x42 & 90x90cm.
    Pripyat_QL-11.tif
  • From the series “Pripyat: 21 Years After Chernobyl”, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 42x42 & 90x90cm.
    Terrace of Hotel Polissia, Pripyat G..2007
  • From the series “Pripyat: 21 Years After Chernobyl”, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 42x42 & 90x90cm.
    Lobby of Hotel Polissia, Pripyat Gho..2007
  • Light shines across climbing bars and broken basketball hoop in a gymnasium.
    Pripyat_QL-12.tif
  • Children's gas masks, the silver filter elements removed by looters. They had been issued according to soviet policy in case of nuclear attack from the West.
    Pripyat_QL-09.tif
  • The tower was likely to have been raised according to a statute of the Parliament of Scotland in 1535, that required large landholders in the Borderlands to build barmkins of stone and lime, sixty square feet in area and with walls of one ell thickness and six ells in height for the resett and defense of him, his tennents, and his gudis in troublous tyme.  It lies approximately equidistant between the burghs of Moffat and Selkirk, and defended the north eastern end of St Mary's Loch. The site itself was protected on two sides, to the east by the Dryhope Burn and to the west by the Kirkstead Burn. The castle belonged to the Scotts of Dryhope, and a daughter of the House , Mary Scott was known as the "Flower of Yarrow" and was also an ancestor of Sir Walter Scott. Mary was given in marriage toWat Scott of Kirkhope, a notorious Border Reiver. The property passed to Wat Scott's family, the Scotts of Harden, and Scott took possession of Dryhope following his marriage. However, in 1592, Wat Scott fell out of favour with King James VI due to his association with Francis Stewart, 1st Earl of Bothwell. King James levied an army and proceeded through the forest and slighted many houses of his opponents. Wat Scott did not get off lightly and Dryhope was amongst Scott of Harden's fortalices that were slighted. The tower seems to have been rebuilt by 1613. The castle fell into terminal decay in the latter part of the 17th century and was acquired by the senior branch of the Scotts, the Dukes of Buccleuch. Dryhope Tower today belongs to the Philiphaugh Estate, and has recently been undergoing stabilisation work. The tower once had a courtyard with ancillary buildings all enclosed by a curtain wall.
    Southern-Uplands-Buildings-17.jpg
  • The tower was likely to have been raised according to a statute of the Parliament of Scotland in 1535, that required large landholders in the Borderlands to build barmkins of stone and lime, sixty square feet in area and with walls of one ell thickness and six ells in height for the resett and defense of him, his tennents, and his gudis in troublous tyme.  It lies approximately equidistant between the burghs of Moffat and Selkirk, and defended the north eastern end of St Mary's Loch. The site itself was protected on two sides, to the east by the Dryhope Burn and to the west by the Kirkstead Burn. The castle belonged to the Scotts of Dryhope, and a daughter of the House , Mary Scott was known as the "Flower of Yarrow" and was also an ancestor of Sir Walter Scott. Mary was given in marriage toWat Scott of Kirkhope, a notorious Border Reiver. The property passed to Wat Scott's family, the Scotts of Harden, and Scott took possession of Dryhope following his marriage. However, in 1592, Wat Scott fell out of favour with King James VI due to his association with Francis Stewart, 1st Earl of Bothwell. King James levied an army and proceeded through the forest and slighted many houses of his opponents. Wat Scott did not get off lightly and Dryhope was amongst Scott of Harden's fortalices that were slighted. The tower seems to have been rebuilt by 1613. The castle fell into terminal decay in the latter part of the 17th century and was acquired by the senior branch of the Scotts, the Dukes of Buccleuch. Dryhope Tower today belongs to the Philiphaugh Estate, and has recently been undergoing stabilisation work. The tower once had a courtyard with ancillary buildings all enclosed by a curtain wall.
    Southern-Uplands-Buildings-16.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-13.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-10.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-09.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-04.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-12.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-11.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-08.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-07.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-06.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-05.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-02.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-03.jpg
  • From the series Spaces of Fear: Bicester, 2013. RAF Bicester was part of Bomber Command in WW2 and was left untouched until 2013. The site has an uneasy disconnect between appearance and use: where a bomb store shares the same domestic aesthetic as a garage and delicate pastel decay subverts the military order. Signed and editioned prints available at 59x42cm, 110x80cm & 155x110cm.
    RAFbicester-01.jpg
  • This rapidly decaying rock painting, which may be up to 2000 years old, depicts two elands (antelopes) and two half-animal, half-human shaman figures. Recorded during the Lesotho Rock Art Survey, 2000. Lesobeng Valley, Lesotho, 2000
    Drawing-Parallels-Quintin-Lake-Page-...jpg
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