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  • Faux Cotswold rustic cul-de-sac housing development North Nibley, Gloucestershire
    Cotswold_Way_England-31.jpg
  • Synthetic grass steps with Daffodils leading to a tee at Lansdown Golf club near Bath adjacent to the Cotswold Way
    Cotswold_Way_England-12.jpg
  • Tree shadows fall over a bed of spring flowers on the Cotswold Way
    Cotswold_Way_England-07.jpg
  • Rustic limestone fronted detached family house in Weston Park, Bath next to the Cotswold Way
    Cotswold_Way_England-02.jpg
  • Cotswold stone coloured Neighbourhood watch sign by a new housing development, North Nibley
    Cotswold_Way_England-30.jpg
  • The Cotswold way running through woodland on Wotton Hill
    Cotswold_Way_England-23.jpg
  • Overgrown Bench by the Cotswold Way near Wotton-under-Edge, Gloucestershire
    Cotswold_Way_England-20.jpg
  • A woman stands on the Cotswold Way next to the National Trail Acorn marker post.
    Cotswold_Way_England-06.jpg
  • The Malvern hills seen from Witcombe wood on the Cotswold Way, England
    Cotswold-Way-6-04.jpg
  • Patchwork of pastoral fields at dusk near Doynton seen from Dyrham on the Cotswold Way
    Cotswold_Way_England-16.jpg
  • At the top of Wotton Hill are trees surrounded by a stone wall. The plaque on the gates reads: Trees were planted here in 1815 to commemorate the victory at Waterloo. They had become thin by the end of the Crimean War and were felled for a bonfire. This walled enclosure was erected and the site replanted with trees to commemorate the Jubilee of Her late Majesty Queen Victoria (1887), following the burning on this spot of one of a chain of celebration beacons which then spanned the country. Interplanted with new trees in 1952 by subscription of :- The family of the late Rev James Hardyman, the family of the late W J Williams Esq., Mrs A G Bury, Brig & Mrs Alan Durrant, A H Jotcham, Esq., Wotton-under-Edge Traders Association, Wotton-under-Edge Town Trustees.
    Cotswold_Way_England-22.jpg
  • At the top of Wotton Hill are trees surrounded by a stone wall. The plaque on the gates reads: Trees were planted here in 1815 to commemorate the victory at Waterloo. They had become thin by the end of the Crimean War and were felled for a bonfire. This walled enclosure was erected and the site replanted with trees to commemorate the Jubilee of Her late Majesty Queen Victoria (1887), following the burning on this spot of one of a chain of celebration beacons which then spanned the country. Interplanted with new trees in 1952 by subscription of :- The family of the late Rev James Hardyman, the family of the late W J Williams Esq., Mrs A G Bury, Brig & Mrs Alan Durrant, A H Jotcham, Esq., Wotton-under-Edge Traders Association, Wotton-under-Edge Town Trustees.
    Cotswold_Way_England-21.jpg
  • Steps to Cold Ashton Manor House Doorway of the early 17th century which leads directly from the road to the main door, adjacent to the Cotswold Way
    Cotswold_Way_England-13.jpg
  • English Garden Style: Two concrete pigs, Three Concrete geese, One plastic Woodpecker and Two half dead yew bushes in pots. A house in Old Sodbury adjacent to the Cotswold Way, Gloucestershire
    Cotswold_Way_England-17.jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • Coopers Chapel, Slad Valley, Gloucestershire. Architect: Millar Howard Workshop. This building sits at the bottom of a garden looking out over the slad valley towards Stroud. It provides a small meditative space for individual or group meeting. It is built using the local Cotswold Stone and timeber. Various important details were created in collaboration with the client, a wood carver, using some unusual and special woods.
    Coopers-Chapel-Millar-Howard-Worksho...jpg
  • The Tyndale Monument is a tower built on a hill at North Nibley, Gloucestershire, England. It was built in honour of William Tyndale, a translator of the New Testament, who is believed to have been born at North Nibley.
    Cotswold_Way_England-24.jpg
  • House on the outskirts of Dursley, Gloucestershire
    Cotswold_Way_England-32.jpg
  • Patchwork of green fields in haze viewed from the top of the Tyndale Monument, Gloucestershire
    Cotswold_Way_England-28.jpg
  • View of North Nibley from the Tyndale Monument, Gloucestershire
    Cotswold_Way_England-27.jpg
  • View from the top of the Tyndale Monument, Gloucestershire
    Cotswold_Way_England-26.jpg
  • The Tyndale Monument is a tower built on a hill at North Nibley, Gloucestershire, England. It was built in honour of William Tyndale, a translator of the New Testament, who is believed to have been born at North Nibley.
    Cotswold_Way_England-25.jpg
  • Two detached  three storey houses in the outskirts of Wotton-under-Edge, Gloucestershire
    Cotswold_Way_England-18.jpg
  • Patchwork of green fields in haze viewed from the top of the Tyndale Monument, Gloucestershire
    Cotswold_Way_England-29.jpg
  • Half-timbered House in Wotton-under-Edge, Gloucestershire
    Cotswold_Way_England-19.jpg
  • Painted out window above front door on a house near Primrose Hill. Probably to avoid paying the historic Window tax.
    Cotswold_Way_England-05.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-37.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-26.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-12.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-10.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-09.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-05.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-04.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-16.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-15.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-12.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-11.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-10.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-09.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-07.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-06.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-04.jpg
  • The Royal Crescent is a residential road of 30 houses, laid out in a crescent, in the city of Bath, England. Designed by the architect John Wood the Younger and built between 1767 and 1774, it is among the greatest examples of Georgian architecture to be found in the United Kingdom and is a grade I listed building...Wood designed the great curved façade of what appears to be about 30 three storey houses with Ionic columns on a rusticated ground floor. The columns are 30 inches (76 cm) in diameter reaching 47 feet (14.3 m) and there are 114 in total, each with an entablature 5 feet (1.5 m) deep. The central house has two sets of coupled columns. Each purchaser bought a certain length of the façade, and then employed their own architect to build a house to their own specifications behind it; hence what appears to be two houses is sometimes one. This system of town planning is betrayed at the rear of the crescent: while the front is completely uniform and symmetrical, the rear is a mixture of differing roof heights, juxtapositions and fenestration. This "Queen Anne fronts and Mary-Anne backs" architecture occurs repeatedly in Bath..It was originally called just The Crescent and the adjective Royal was added at the end of the 18th century after Prince Frederick, Duke of York and Albany had lived at numbers 1 and 16...The Royal Crescent is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance...VIEW MORE IMAGES of Royal Crescent, Bath, England, by Architect John Wood the Younger here
    The_Royal_Crescent_Bath_England-01.jpg
  • The Circus is an example of Georgian architecture in the city of Bath, Somerset, England, begun in 1754 and completed in 1768. The name comes from the Latin 'circus', which means a ring, oval or circle..The Circus, was designed by the architect John Wood the Elder, although he never lived to see his plans put into effect as he died less than three months after the first stone was laid. It was left to his son, John Wood the Younger to complete the scheme to his father's design...Wood's inspiration was the Roman Colosseum, but whereas the Colosseum was designed to be seen from the outside, the Circus faces inwardly. The circus consists of 3 storey townhouses and mansard. 3 or 4 windows. Divided into 3 blocks, all of the same size but each with a different number of houses. Three classical Orders, (Greek Doric, Roman/Composite and Corinthian) are used, one above the other, in the elegant curved facades. The masonry between columns is not curved but this is not apparent.  The frieze of the Doric entablature is decorated with alternating triglyphs and 525 unique pictorial emblems in the metopes, including serpents, nautical symbols, devices representing the arts and sciences, and masonic symbols. The parapet is adorned with stone acorn finials...The Circus is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance.
    The_Circus_Bath_England-08.jpg
  • The Circus is an example of Georgian architecture in the city of Bath, Somerset, England, begun in 1754 and completed in 1768. The name comes from the Latin 'circus', which means a ring, oval or circle..The Circus, was designed by the architect John Wood the Elder, although he never lived to see his plans put into effect as he died less than three months after the first stone was laid. It was left to his son, John Wood the Younger to complete the scheme to his father's design...Wood's inspiration was the Roman Colosseum, but whereas the Colosseum was designed to be seen from the outside, the Circus faces inwardly. The circus consists of 3 storey townhouses and mansard. 3 or 4 windows. Divided into 3 blocks, all of the same size but each with a different number of houses. Three classical Orders, (Greek Doric, Roman/Composite and Corinthian) are used, one above the other, in the elegant curved facades. The masonry between columns is not curved but this is not apparent.  The frieze of the Doric entablature is decorated with alternating triglyphs and 525 unique pictorial emblems in the metopes, including serpents, nautical symbols, devices representing the arts and sciences, and masonic symbols. The parapet is adorned with stone acorn finials...The Circus is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance.
    The_Circus_Bath_England-06.jpg
  • The Circus is an example of Georgian architecture in the city of Bath, Somerset, England, begun in 1754 and completed in 1768. The name comes from the Latin 'circus', which means a ring, oval or circle..The Circus, was designed by the architect John Wood the Elder, although he never lived to see his plans put into effect as he died less than three months after the first stone was laid. It was left to his son, John Wood the Younger to complete the scheme to his father's design...Wood's inspiration was the Roman Colosseum, but whereas the Colosseum was designed to be seen from the outside, the Circus faces inwardly. The circus consists of 3 storey townhouses and mansard. 3 or 4 windows. Divided into 3 blocks, all of the same size but each with a different number of houses. Three classical Orders, (Greek Doric, Roman/Composite and Corinthian) are used, one above the other, in the elegant curved facades. The masonry between columns is not curved but this is not apparent.  The frieze of the Doric entablature is decorated with alternating triglyphs and 525 unique pictorial emblems in the metopes, including serpents, nautical symbols, devices representing the arts and sciences, and masonic symbols. The parapet is adorned with stone acorn finials...The Circus is constructed from Bath Stone is a Limestone comprising granular fragments of calcium carbonate its warm, honey colouring gives the  circus and much of Bath its distinctive appearance.
    The_Circus_Bath_England-04.jpg
  • Architect: John Wood the Elder.
    Historic-33.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-36.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-35.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-34.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-33.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-32.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-31.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-30.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-29.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-28.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-27.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-25.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-24.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-23.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-22.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-21.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-20.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-19.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-18.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-17.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-16.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-15.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-14.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-13.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-11.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-08.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-07.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-06.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-03.jpg
  • Oeno Wines in Cirencester designed by Millar Howard Workshop
    Oeno-Wines-Millar-Howard-Workshop-02.jpg
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