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  • Brick work detail, University of Aarhus set in the University Park designed by C.F. Moller Architect & Søren Jensen Engineer
    SJE_QL125_RT8.tif
  • Brick work detail inside The Main Hall, University of Aarhus set in the University Park designed by C.F. Moller Architect & Søren Jensen Engineer
    SJE_QL114_RT8.tif
  • Brick work detail inside The Main Hall, University of Aarhus set in the University Park designed by C.F. Moller Architect & Søren Jensen Engineer
    SJE_QL108_RT8.tif
  • Oblique view of original stairwell through arch showing Keble brick work
    BGS025_QL-26.tif
  • The_Rocks_Sydney_Australia-04.jpg
  • The_Rocks_Sydney_Australia-08.jpg
  • The_Rocks_Sydney_Australia-06.jpg
  • The_Rocks_Sydney_Australia-05.jpg
  • From the series “Pripyat: 21 Years After Chernobyl”, 2007. 21 years after the Chernobyl Nuclear Power Plant exploded these images of Pripyat capture a memory of three traumas: the invisible radiation, the visible looting and the gradual collapse of a ghost town. 1st place International Photography Awards, Architecture Category, 2012. Signed and editioned prints available at 42x42 & 90x90cm.
    Palace of Culture, Pripyat Ghost Tow..2007
  • Palace of Culture, central square and appartment blocks viewed from the terrace of hotel Polissia.
    Pripyat_QL-02.tif
  • The_Rocks_Sydney_Australia-07.jpg
  • Original stairwell showing erosion of steps
    BGS025_QL-25.tif
  • Pinnacle kiln, Somerset Brick and Tile Museum. Remnant of a vast C19 industry supplying ornamental bricks, terracotta architectural ornaments and many variations of the pantile, known as Bridgwater tiles, which were exported, often as ballast, all over the world. Bridgwater, Somerset.
    091-Bridgwater-BreanDown-01.jpg
  • Pantile and brick two storey detached houses in Rosedale Av, Stonehouse, Gloucestershire
    Cotswold-Way-5-01.jpg
  • Detail of Grosvenor Place tower, and 1912 brick building Sydney, Australia.
    Downtown_Architecture_Sydney_Austral...jpg
  • Three Pantile and brick two storey detached houses in a housing development in Rosedale Av, Stonehouse, Gloucestershire
    Cotswold-Way-5-03.jpg
  • Detail of Grosvenor Place tower, and 1912 brick building Sydney, Australia.
    Downtown_Architecture_Sydney_Austral...jpg
  • Remains of the Harrington Brick Works, Cumbria.
    169-Whitehaven-Milefortlet21-05.jpg
  • Brick shore, Powfoot, Dumfries and Galloway, Scotland.
    175-Annan-Caerlaverock-11.jpg
  • Halfway to a pebble, a Scottish Terracotta Co brick, near Powfoot, Dumfries and Galloway, Scotland.
    175-Annan-Caerlaverock-08.jpg
  • Windows of Keble College oxford. A neo-gothic red-brick building designed by William Butterfield in 1870.
    Oxford-02.jpg
  • Facade of Keble College oxford. A neo-gothic red-brick building designed by William Butterfield in 1870.
    Oxford-01.jpg
  • Iron lacework, two storey Victorian Filigree terrace were built of stone and reflect the "standard" terrace type pattern commonly found on Darlinghurst and Paddington, with single span iron lace balcony, arched openings to ground floor and squared lintels to first floor...As housing developed in Australia, verandas became important as a way of shading the house. From the mid-nineteenth century in particular, as people became more affluent, they built more elaborate homes, and one of the favoured elaborations was the filigree, or screen, of cast ironor wrought iron. This developed to the point where it has become one of the major features of Australian architecture.
    Victorian-Filigree-terrace-architect...jpg
  • Iron lacework, two storey Victorian Filigree terrace were built of stone and reflect the "standard" terrace type pattern commonly found on Darlinghurst and Paddington, with single span iron lace balcony, arched openings to ground floor and squared lintels to first floor...As housing developed in Australia, verandas became important as a way of shading the house. From the mid-nineteenth century in particular, as people became more affluent, they built more elaborate homes, and one of the favoured elaborations was the filigree, or screen, of cast ironor wrought iron. This developed to the point where it has become one of the major features of Australian architecture.
    Victorian-Filigree-terrace-architect...jpg
  • Barbed wire perimeter fence with with brick chimneys belonging to ruined wooden barracks behind. Auschwitz II-Birkenau Extermination Camp (Poland)
    Auschwitz-Birkenau-01.jpg
  • Brick floor in Saint Basil's Cathedral in Red Square. It consists of nine intimate chapels built from 1555 to 1561. Moscow, Russia, 2007
    Drawing-Parallels-Quintin-Lake-Page-...jpg
  • One of the most characteristic tangible cultural heritages of the Cham and also one of the most sensitive to change is their house. The Cham build their houses on the ground and arrange them in orderly rows. Their houses are surrounded by a garden with a wall or hedge. The doors open to the south-west or between. The architectural style is similar to that of the Viet with walls made of brick or a mixture of lime and shells, and covered with tiles or thatch. Houses of more than one storey are rare. In certain localities, houses on stilts are found but the floor is only 30 cm above the ground. The rooms of Cham houses are arranged according to a particular order: the sitting room, rooms for the parents, children, and married women, the kitchen and ware- house (including the granary), and the nuptial room for the youngest daughter. This arrangement reflects the break-up of the matrilineal extended family system among the Cham. The Cham living in Ninh Thuan and Binh Thuan believe that they have to perform certain religious rituals before the building of a new house, particularly praying for the Land God and asking for his permission to cut down trees in the forest. A ritual is also held to receive the trees when they are transported to the village. A ground-breaking ceremony called phat moc is also held. The precinct of the Cham traditional house is the residence site of a Cham family. It is an assembly of several houses with different functions and these houses relate closely with each others.
    Vietnamese-Museum-of-Ethnology-06.jpg
  • One of the most characteristic tangible cultural heritages of the Cham and also one of the most sensitive to change is their house. The Cham build their houses on the ground and arrange them in orderly rows. Their houses are surrounded by a garden with a wall or hedge. The doors open to the south-west or between. The architectural style is similar to that of the Viet with walls made of brick or a mixture of lime and shells, and covered with tiles or thatch. Houses of more than one storey are rare. In certain localities, houses on stilts are found but the floor is only 30 cm above the ground. The rooms of Cham houses are arranged according to a particular order: the sitting room, rooms for the parents, children, and married women, the kitchen and ware- house (including the granary), and the nuptial room for the youngest daughter. This arrangement reflects the break-up of the matrilineal extended family system among the Cham. The Cham living in Ninh Thuan and Binh Thuan believe that they have to perform certain religious rituals before the building of a new house, particularly praying for the Land God and asking for his permission to cut down trees in the forest. A ritual is also held to receive the trees when they are transported to the village. A ground-breaking ceremony called phat moc is also held. The precinct of the Cham traditional house is the residence site of a Cham family. It is an assembly of several houses with different functions and these houses relate closely with each others.
    Vietnamese-Museum-of-Ethnology-05.jpg
  • One of the most characteristic tangible cultural heritages of the Cham and also one of the most sensitive to change is their house. The Cham build their houses on the ground and arrange them in orderly rows. Their houses are surrounded by a garden with a wall or hedge. The doors open to the south-west or between. The architectural style is similar to that of the Viet with walls made of brick or a mixture of lime and shells, and covered with tiles or thatch. Houses of more than one storey are rare. In certain localities, houses on stilts are found but the floor is only 30 cm above the ground. The rooms of Cham houses are arranged according to a particular order: the sitting room, rooms for the parents, children, and married women, the kitchen and ware- house (including the granary), and the nuptial room for the youngest daughter. This arrangement reflects the break-up of the matrilineal extended family system among the Cham. The Cham living in Ninh Thuan and Binh Thuan believe that they have to perform certain religious rituals before the building of a new house, particularly praying for the Land God and asking for his permission to cut down trees in the forest. A ritual is also held to receive the trees when they are transported to the village. A ground-breaking ceremony called phat moc is also held. The precinct of the Cham traditional house is the residence site of a Cham family. It is an assembly of several houses with different functions and these houses relate closely with each others.
    Vietnamese-Museum-of-Ethnology-04.jpg
  • The Church of St George (Bulgarian: Ротонда „Свети Георги“ Rotonda "Sveti Georgi") is an Early Christian red brick rotunda that is considered the oldest building in Sofia, the capital of Bulgaria. Built by the Romans in the 4th century, it is mainly famous for the 12th-14th century frescoes inside the central dome.
    St-George-Church-Sofia-03.jpg
  • The Church of St George (Bulgarian: Ротонда „Свети Георги“ Rotonda "Sveti Georgi") is an Early Christian red brick rotunda that is considered the oldest building in Sofia, the capital of Bulgaria. Built by the Romans in the 4th century, it is mainly famous for the 12th-14th century frescoes inside the central dome.
    St-George-Church-Sofia-02.jpg
  • The Church of St George (Bulgarian: Ротонда „Свети Георги“ Rotonda "Sveti Georgi") is an Early Christian red brick rotunda that is considered the oldest building in Sofia, the capital of Bulgaria. Built by the Romans in the 4th century, it is mainly famous for the 12th-14th century frescoes inside the central dome.
    St-George-Church-Sofia-01.jpg
  • One of the most characteristic tangible cultural heritages of the Cham and also one of the most sensitive to change is their house. The Cham build their houses on the ground and arrange them in orderly rows. Their houses are surrounded by a garden with a wall or hedge. The doors open to the south-west or between. The architectural style is similar to that of the Viet with walls made of brick or a mixture of lime and shells, and covered with tiles or thatch. Houses of more than one storey are rare. In certain localities, houses on stilts are found but the floor is only 30 cm above the ground. The rooms of Cham houses are arranged according to a particular order: the sitting room, rooms for the parents, children, and married women, the kitchen and ware- house (including the granary), and the nuptial room for the youngest daughter. This arrangement reflects the break-up of the matrilineal extended family system among the Cham. The Cham living in Ninh Thuan and Binh Thuan believe that they have to perform certain religious rituals before the building of a new house, particularly praying for the Land God and asking for his permission to cut down trees in the forest. A ritual is also held to receive the trees when they are transported to the village. A ground-breaking ceremony called phat moc is also held. The precinct of the Cham traditional house is the residence site of a Cham family. It is an assembly of several houses with different functions and these houses relate closely with each others.
    Vietnamese-Museum-of-Ethnology-09.jpg
  • One of the most characteristic tangible cultural heritages of the Cham and also one of the most sensitive to change is their house. The Cham build their houses on the ground and arrange them in orderly rows. Their houses are surrounded by a garden with a wall or hedge. The doors open to the south-west or between. The architectural style is similar to that of the Viet with walls made of brick or a mixture of lime and shells, and covered with tiles or thatch. Houses of more than one storey are rare. In certain localities, houses on stilts are found but the floor is only 30 cm above the ground. The rooms of Cham houses are arranged according to a particular order: the sitting room, rooms for the parents, children, and married women, the kitchen and ware- house (including the granary), and the nuptial room for the youngest daughter. This arrangement reflects the break-up of the matrilineal extended family system among the Cham. The Cham living in Ninh Thuan and Binh Thuan believe that they have to perform certain religious rituals before the building of a new house, particularly praying for the Land God and asking for his permission to cut down trees in the forest. A ritual is also held to receive the trees when they are transported to the village. A ground-breaking ceremony called phat moc is also held. The precinct of the Cham traditional house is the residence site of a Cham family. It is an assembly of several houses with different functions and these houses relate closely with each others.
    Vietnamese-Museum-of-Ethnology-08.jpg
  • One of the most characteristic tangible cultural heritages of the Cham and also one of the most sensitive to change is their house. The Cham build their houses on the ground and arrange them in orderly rows. Their houses are surrounded by a garden with a wall or hedge. The doors open to the south-west or between. The architectural style is similar to that of the Viet with walls made of brick or a mixture of lime and shells, and covered with tiles or thatch. Houses of more than one storey are rare. In certain localities, houses on stilts are found but the floor is only 30 cm above the ground. The rooms of Cham houses are arranged according to a particular order: the sitting room, rooms for the parents, children, and married women, the kitchen and ware- house (including the granary), and the nuptial room for the youngest daughter. This arrangement reflects the break-up of the matrilineal extended family system among the Cham. The Cham living in Ninh Thuan and Binh Thuan believe that they have to perform certain religious rituals before the building of a new house, particularly praying for the Land God and asking for his permission to cut down trees in the forest. A ritual is also held to receive the trees when they are transported to the village. A ground-breaking ceremony called phat moc is also held. The precinct of the Cham traditional house is the residence site of a Cham family. It is an assembly of several houses with different functions and these houses relate closely with each others.
    Vietnamese-Museum-of-Ethnology-07.jpg
  • One of the most characteristic tangible cultural heritages of the Cham and also one of the most sensitive to change is their house. The Cham build their houses on the ground and arrange them in orderly rows. Their houses are surrounded by a garden with a wall or hedge. The doors open to the south-west or between. The architectural style is similar to that of the Viet with walls made of brick or a mixture of lime and shells, and covered with tiles or thatch. Houses of more than one storey are rare. In certain localities, houses on stilts are found but the floor is only 30 cm above the ground. The rooms of Cham houses are arranged according to a particular order: the sitting room, rooms for the parents, children, and married women, the kitchen and ware- house (including the granary), and the nuptial room for the youngest daughter. This arrangement reflects the break-up of the matrilineal extended family system among the Cham. The Cham living in Ninh Thuan and Binh Thuan believe that they have to perform certain religious rituals before the building of a new house, particularly praying for the Land God and asking for his permission to cut down trees in the forest. A ritual is also held to receive the trees when they are transported to the village. A ground-breaking ceremony called phat moc is also held. The precinct of the Cham traditional house is the residence site of a Cham family. It is an assembly of several houses with different functions and these houses relate closely with each others.
    Vietnamese-Museum-of-Ethnology-03.jpg
  • Roman brick floor laid in a basket weave pattern. Pompeii, Italy, 2001
    Drawing-Parallels-Quintin-Lake-Page-...jpg
  • Alau Minar minaret. Construction was stopped on the death of the Sultan,.Alauddin Khilji in 1316, when it was 12m high. It was intended to be higher than its.neighbour, Qutb Minar Minaret, the world's tallest brick minaret. Delhi, India, 2002
    Drawing-Parallels-Quintin-Lake-Page-...jpg
  • One of the most characteristic tangible cultural heritages of the Cham and also one of the most sensitive to change is their house. The Cham build their houses on the ground and arrange them in orderly rows. Their houses are surrounded by a garden with a wall or hedge. The doors open to the south-west or between. The architectural style is similar to that of the Viet with walls made of brick or a mixture of lime and shells, and covered with tiles or thatch. Houses of more than one storey are rare. In certain localities, houses on stilts are found but the floor is only 30 cm above the ground. The rooms of Cham houses are arranged according to a particular order: the sitting room, rooms for the parents, children, and married women, the kitchen and ware- house (including the granary), and the nuptial room for the youngest daughter. This arrangement reflects the break-up of the matrilineal extended family system among the Cham. The Cham living in Ninh Thuan and Binh Thuan believe that they have to perform certain religious rituals before the building of a new house, particularly praying for the Land God and asking for his permission to cut down trees in the forest. A ritual is also held to receive the trees when they are transported to the village. A ground-breaking ceremony called phat moc is also held. The precinct of the Cham traditional house is the residence site of a Cham family. It is an assembly of several houses with different functions and these houses relate closely with each others.
    Vietnamese-Museum-of-Ethnology-02.jpg
  • One of the most characteristic tangible cultural heritages of the Cham and also one of the most sensitive to change is their house. The Cham build their houses on the ground and arrange them in orderly rows. Their houses are surrounded by a garden with a wall or hedge. The doors open to the south-west or between. The architectural style is similar to that of the Viet with walls made of brick or a mixture of lime and shells, and covered with tiles or thatch. Houses of more than one storey are rare. In certain localities, houses on stilts are found but the floor is only 30 cm above the ground. The rooms of Cham houses are arranged according to a particular order: the sitting room, rooms for the parents, children, and married women, the kitchen and ware- house (including the granary), and the nuptial room for the youngest daughter. This arrangement reflects the break-up of the matrilineal extended family system among the Cham. The Cham living in Ninh Thuan and Binh Thuan believe that they have to perform certain religious rituals before the building of a new house, particularly praying for the Land God and asking for his permission to cut down trees in the forest. A ritual is also held to receive the trees when they are transported to the village. A ground-breaking ceremony called phat moc is also held. The precinct of the Cham traditional house is the residence site of a Cham family. It is an assembly of several houses with different functions and these houses relate closely with each others.
    Vietnamese-Museum-of-Ethnology-01.jpg
  • Bricked up windows of a ruined façade in an abandoned building. Cordoba, Spain, 1993
    Drawing-Parallels-Quintin-Lake-Page-...jpg
  • Detail of a wall of recycled electrical fittings in Nek Chand's Rock Garden. From 1957 he secretly collected stones, metal, bricks, and other waste from Le Corbusier's building sites. When discovered in 1975, it had become a 12-acre (49,000sq.m) complex of interlinked courtyards, filled with hundreds of pottery-covered, concrete sculptures of dancers, musicians, and animals. Chandigarh, India, 2002
    Drawing-Parallels-Quintin-Lake-Page-...jpg
  • Detail of the edge of a Roman wall. The flat red bricks make up the edge and the wall is in-filled with the diamond-shaped, grey bricks. Pompeii, Italy, 2001
    Drawing-Parallels-Quintin-Lake-Page-...jpg
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